by Rui Torres. Poemas no meio do caminho, written in Portuguese, is a poetry project that offers the reader different reading possibilities, depending on her navigational decisions. There are two available versions: the horizontal and the vertical. The horizontal version is a 3D panorama including video that the reader can drag; the vertical version uses [...]
by Christine Wilks. From birdsong to video game music to the ringing sounds of tinnitus, sound is at the core of Tailspin as both theme and structural device. A story of intergenerational conflict unfolds through sound as a woman negotiates between her father, who was “nothing more than an aircraft fitter” during WWII, and her [...]
by J.R. Carpenter. Entre Ville is J.R. Carpenter’s affectionate and keenly perceptive homage to her former Montréal neighborhood, Mile End, and its many inhabitants. With poetic text framed by videos documenting the texture and sounds of the back alleyways, Entre Ville is a richly layered and sensorial exploration of the entre ville, the interior city. [...]
by Stephanie Strickland, Cynthia Lawson Jaramillo, and Paul Ryan. slippingglimpse is a verbal-visual collaboration between a poet, programmer, and videographer. Each of the ten parts consists of a video of moving water associated with a poetic text that can be conventionally read in split-screen format as it scrolls upwards. (The “scroll text” view enables conventional [...]
by Peter Cho. Letterscapes is a collection of twenty-six interactive typographic landscapes, encompassed within a dynamic, dimensional environment. Wordscapes is a collection of reactive one-word poem landscapes, one for each letter of the alphabet. These two sets of 26 works each operate at the nexus of typography, animation and interactivity making modest claims for each, [...]
by K Michael & Dirk Vis. Ah articulates a simple paradox of reading animated digital literature, which is that the eye, and by extension the mind, often has no sense of the future of a sentence or line of text and, more importantly, is not given the chance to retread an already witnessed word or [...]
by Alison Clifford. The Sweet Old Etcetera is an interactive web project based on the poetry of E. E. Cummings. E. E. Cummings’ poetry is highly visual, playful and experimental. “The Sweet Old Etcetera” interprets selected poems for a new media context and introduces additional layers of meaning through the use of motion, graphics, sound [...]
The opening event of “Electrifying Literature” conference is on Tuesday, June 19 at 7pm, after the pre-conference workshops. As mentioned in emails from local organizer Sandy Baldwin, this is an open mic, following in the tradition of open mic/open mouse events at UCLA, the University of Maryland, and MIT.
Sandy encourages all to participate, saying, “I love these sorts of readings (even when they aren’t entirely of e-lit) and am planning to present at least a short piece myself. Please sign up and present, if you’re coming with work of yours to Morgantown. I hope to see, and hear, you there.”
ELO’s 2012 conference is fast approaching, and the schedule of readings and performances is now available online. The conference, Electrifying Literature: Affordances and Constraints will be held June 20-23 in Morgantown, West Virginia, home to WVU, a sponsor of the event. Pre-conference events on the 19th include and open mic/open mouse.
In addition from presentations from an international gathering of digital literature artists and scholars, the event also features a Media Arts Show, which presents an exciting collection of new works. This juried gallery was curated by Sandy Baldwin and Dene Grigar and features cutting-edge works in digital literature.
According to Rettberg, the article attempts “to provide a relatively comprehensive history of our accomplishments from 1999 to date.” Recounting its development from its early days at Brown University to its current HQ at MIT, the article offers an important review of the evolution of the organization into its current international community of artists and critics.
Electronic literature will take center stage at the 2012 Modern Language Association conference in Seattle thanks to Board Member Dene Grigar, Lori Emerson, and Kathi Inman Berens. The exhibit, the first of its kind at MLA, will feature over 160 works, including ELC I & II. Also featured in this collection, celebrating its 25th anniversary: Invisible Seattle, the database novel written by The Invisibles in collaboration with the people of Seattle. Kathi Inman Berens has curated an additional exhibit of e-lit works created for mobile devices.
In conjunction with these collections, Lori Emerson has organized an evening performance of electronic literature at the Richard Hugo House. The readings will feature Jim Andrews, Kate Armstrong, Ian Bogost, John Cayley, Erin Costello, Aaron Angello, Marjorie Luesebrink, Mark Marino, Nick Montfort, Brian Kim Stefans, and Stephanie Strickland.
MIT has long been a premier center of technological innovation. On July 1, a new locus for literary innovation will be added to the mix: The campus will begin hosting the headquarters of the Electronic Literature Organization (http://eliterature.org).
The Electronic Literature Organization, or ELO, is a 501(c)(3) non-profit organization composed of an international community that includes writers, artists, teachers, scholars, and developers. The Organization’s focus is new literary forms that are made to be read on digital systems, including smartphones, Web browsers, and networked computers.
ELO is excited to announce the publication of its 2nd collection of electronic literature. With its wide ranging forms, Volume 2 picks up where ELC1left off, offering a diverse anthology of works from an international group of authors in a variety of languages and forms.
Members of the Electronic Literature Organization no doubt remember the first time they heard about electronic literature. That exhilarating moment wrapped around a sense of possibility and a desire to get their hands on either the tools of creation or the mind-blowing creations or both. Over the past month, the popular science journal New Scientist has been publishing posts marking its discovery of electronic literature in a series called Storytelling 2.0.
The posts mention ELO and ELO co-founder Robert Coover along with works by Jay Bushman and others. There’s even a mention of ELO-President Nick Montfort, alluding to his work on his IF platform Curveship.
We apologize for our site being down as we switched to a new hosting service. We worked to restore the Web publication of the Electronic Literature Collection, volume 1 first so that teachers and students, as well as general readers, would have access to it. The organization will be continuing to develop the site, and will be working to ensure that there is less downtime in the future, as we also pursue our three main projects: The Electronic Literature Collection,The Electronic Literature Directory, and our series of conferences.
Taking over the reins from Joseph Tabbi will be incoming President Nick Montfort and Vice President Dene Grigar. Also, ELO announces 3 new members to the ELO Board of Directors: Fox Harrell, Carolyn Guertin, and Jason Nelson. Sandy Baldwin will take over as Treasurer and Mark Marino will continue as Director of Communication.
The workshop, attended by approximately 150 electronic literary scholars and artists, marks a look back at the foundational work of Robert Coover and the continuation of the ELO PAD project (ARCHIVE) and an the group’s visionary glimpse at the future of electronic literature.
by Rui Torres. Poemas no meio do caminho, written in Portuguese, is a poetry project that offers the reader different reading possibilities, depending on her navigational decisions. There are two available versions: the horizontal and the vertical. The horizontal version is a 3D panorama including video that the reader can drag; the vertical version uses html to allow the reader to read and play with the texts in a more conventional and simple way. One of the key aspects of Poemas no meio do caminho is that the reader can decide whether she wants to keep her reading path – that is, keep her poems in the middle of her road. Automatically, then, the poem that every reader has created has a stabilized form in a blog where other readers can share and debate the collection of poems.