by Alison Clifford. The Sweet Old Etcetera is an interactive web project based on the poetry of E. E. Cummings. E. E. Cummings’ poetry is highly visual, playful and experimental. “The Sweet Old Etcetera” interprets selected poems for a new media context and introduces additional layers of meaning through the use of motion, graphics, sound and programming. The project hopes to offer a fresh response to the print poetry, aiming to release it from the confines of the physical page and bring it into a digital environment in a playful way.
Electronic literature (re)takes the Pacific northwest!
See “mediartZ: Art as Experiential, Art as Participatory, Art as Electronic” an enticing collection of works on display October 2-31 at the North Bank Artists Gallery in Vancouver.
Among the innovative writing featured at the past three &Now festivals has been a strong showing of electronic literature. Steve Tomasula sends us word that he hopes to see more at The 4th Biennial &Now Festival of Innovative Writing & the Literary Arts to be held in Buffalo, NY from October 14-17, 2009.
From the Call:
Announcing a new(er) presentation of Electronic Literature Organization:
Searching for a New(er) Digital Literature.
“Searching for a New(er) Digital Literature” is an exhibition of twelve multimedia works that offer readers representative examples of new digital poetry and fiction on the web. Curated by Alan Bigelow, it includes work by Jim Andrews, Marvin Bell & Ernesto Lavandera, Sommer Browning & Mark Lomond & Johanne Ste-Marie, Andy Campbell, J.R. Carpenter, Chris Joseph & Kate Pullinger, Tammy McGovern, Stuart Moulthrop, Alexander Mouton, Jason Nelson, Victoria Welby, and Jody Zellen.
Announcing Stephanie Strickland’s new book of poems, ZONE : ZERO, which includes a CD with two sequences from the book as interactive digital poems.
Here you will find sample poems, reviews, and recorded readings, along with endorsements from Marjorie Perloff, Rachel Loden, and Brian Kim Stefans,
The ELO Visionary Landscapes 2008 conference at Washington State University Vancouver was one of the largest in the history of the organization and certainly one of the largest (if not THE largest) international conferences to focus on electronic literature.
The conference also marks a watershed expansion in ELO since all attendees were either current or new members. As this organization continues to grow internationally, the conference drew attendees from 17 countries and 5 continents. The works and presentations continued to demonstrate the diversity of forms that call themselves electronic literature.
The Electronic Literature Organization seeks submissions for the Electronic Literature Collection, volume 2. We invite the submission of literary works that take advantage of the capabilities and contexts provided by the computer. Works will be accepted from June 1 to September 30, 2008. Up to three works per author will be considered; previously published works will be considered.
The Electronic Literature Collection is a biannual publication of current and older electronic literature in a form suitable for individual, public library, and classroom use. Volume 1, presently available both online (http://collection.eliterature.org) and as a packaged, cross-platform CD-ROM, has been used in dozens of courses at universities in the United States and internationally, and has been widely reviewed in the United States and Europe. It is also available as a CD-ROM insert with N. Katherine Haylesâ€™ full-length study, Electronic Literature: New Horizons for the Literary (University of Notre Dame Press, 2008).
Software Studies Gets Underway at UC San Diego!
Wednesday, May 21st, from 12:30-5:00pm, ELO board member Noah Wardrip-Fruin and the Software Studies Initiative at UC San Diego invite you to attend a public event:
A new issue of The Iowa Review Web marks its reemergence as a hub of electronic literature. Although the issue has been online for sometime, we wanted to give it a bump for those who had not yet heard:
Made possible by a major Challenge Grant from the National Endowment for the Humanities, the Maryland Institute for Technology in the Humanities (MITH) is a collaboration among the University of Maryland’s College of Arts and Humanities, Libraries, and Office of Information Technology. Since its founding in 1999, MITH has become internationally recognized as one of the leading centers of its kind, distinguished by the cultural diversity so central to its identity. Located in McKeldin Library at the heart of the campus, MITH is the University’s primary intellectual hub for scholars and practitioners of digital humanities, electronic literature, and cyberculture, as well as the home of the Electronic Literature Organization.
During the trial year 2008, the Electronic Literature Organization is collaborating with the Library of Congress in the selection, archiving, and preservation of several hundred web addresses featuring works of electronic literature (www.archive-it.org). The project, under the direction of ELO President Joseph Tabbi, is at once historical and developmental: each address is to be preserved ‘in perpetuity’ through periodic updates. At the same time, the descriptions, tags, and robust sample of works gathered by the ELO should provide, over time, a profile of the e-lit field.
Founded in 1996, Turbulence (http://turbulence.org) has commissioned over 150 networked art projects and, since 2004, has chronicled emerging network practice via its Networked Performance blog (http://turbulence.org/blog). Turbulence co-presented “Re-Writing” with the ELO at the Boston Cyberarts Festival (2005), and supports the ELO community by sponsoring readings, commissioning e-lit, and blogging new projects and current events.
“Literature on the net/Net Literature” (Litnet) is a subproject of the Cultural Studies Research Centre “Media Upheavals” at the University of Siegen, Germany. The Research Centre examines the prerequisites and structures of the media upheavals at the beginning of the 20th century and in the crossover to the 21st century. Litnet aims at analyzing the ongoing changes of literary communication and aesthetics in programmable and networked media, particularly on the Internet. Under a grant from the Alexander von Humboldt-Foundation, Professor Peter Gendolla and his team provide a database of digital/net literature and research literature (academic books, anthologies and articles) at http://www.litnet.uni-siegen.de/. Litnet archived several thousand sites of e-lit criticism that will be incorporated into the ELO Directory during the year 2008.
Combining elements of graphic design, database programming, and scholarly editing, ebr (www.electronicbookreview.com) has been in continuous publication since 1994. A journal of critical writing produced and published by writers for writers, ebr tracks literature’s becoming electronic. In the Spring of 2008, the ELO awarded ebr a commission to review, tag, and describe incoming selections for the Electronic Literature Directory (http://directory.eliterature.org/).