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Air Detritus is derived from sounds that were collected from the air and water detritus of Central Park, New York. Sounds were collected via a 2-way radio submerged in a pond, and on land. The act of recycling materials into a new piece, and re-using objects and sound fragments seems a way to re-imagine the world, a symbolic treatment that enacts the idea of sustainability as an elusive but critical goal of consuming fewer materials. As a consumer working with digital tools, I have accumulated many old monitors, hard drives, cords, and interfaces that are quickly obsolete. The molded plastic and metal have a perverse dialectical relationship to the data of ones and zeros that are transported and stored. This piece is a moment of reflection upon these relationships, and our relationship to the world. - Miya Masaoka
Miya Masaoka is a classically trained musician, composer and sound/ installation artist. She has created works for solo koto, laser interfaces, laptop and video. She has also made works for sculpture installations and written scores for ensembles, chamber orchestra and mixed choirs. In her pieces, she often works with the sonification of data, and maps the behavior of brain activity, plants and insect movement to sound. Read an interview with Miya on Networked Music Review.

Air Detritus is a 2007 commission of New Radio and Performing Arts, Inc., for Networked Music Review. It was made possible with the funding from the New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors.
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