Performers
 listed alphabetically
 Jesse Gilbert
  A composer, multi-instrumentalist, musicologist, and digital audio specialist. 
  Gilbert is a technician at EDC/Center for Children and Technology in NYC, a 
  non-profit research and development organization that addresses approaches to 
  technology and educational reform. He oversaw the functioning of the sound component 
  of PORT, a seven week festival of online work presented simultaneously on the 
  Internet and in the List Center for the Visual Arts at MIT; ADRIFT (with collaborators 
  Helen Thorington and Marek Walczak), a monthly performance event initiated for 
  the Ars Electronica Festival in 1997. He was co-creator with Nina Sobell of 
  the online Turbulence event EBB and FLOW, in July 1998, and has participated 
  as technical advisor and performer in several transatlantic webcasts, notably 
  as part of the performance group, ParkBench. His works explore the uses of sound 
  in networked collaborations, scavenging of sounds through the publicly licensed 
  radio waves, and guided improvisation. 
  Contact: jgilbert@mail.wesleyan.edu 
 Shelley Hirsch
  Hirsch is a composer/vocalist/story-teller whose work for stage, concert, record, 
  film and radio have been seen and heard internationally. Among her staged musical 
  pieces are the autobiographical multimedia musical, O LITTLE TOWN OF EAST NEW 
  YORK; CELEBRATION OF THE OBVIOUS; and her most recent, "THE PASSIONS OF NATASHA, 
  NANNETTE, NINA and NORMA, a collaboration with visual artist Barbara Bloom. 
  Hirsch has also presented her work at music venues throughout the U.S., including 
  Symphony Space, (New York); LACE (Los Angeles); CCA (Santa Fe); and Telluride 
  Opera House (Colorado); and at dozens of new music festivals in the U.S., Canada 
  and Europe. Hirsch is the recipient of a New York Foundation for the Arts Fellowship 
  for Emergent Forms, an NEA New Forms Interarts grant, and commissions from the 
  Mary Flagler Cary Charitable Trust (music for theater), NYSCA (electronic music) 
  and three from New Radio and Performing Arts. A radio version of O LITTLE TOWN... 
  produced for New American Radio received the International Prix Futura Award. 
  Hirsch can be heard on over 25 CD's including SINGING, her record of solo and 
  duos; HAIKU LINGO, a duo CD/LP with keyboardist, David Weinstein, who also collaborated 
  on the music for O LITTLE TOWN OF EAST NEW YORK, which will be released as a 
  CD on John Zorn's Label. In 1997, STATES, a compilation of her improvisations 
  was released on the TELLUS CD label. 
 Brenda Hutchinson
  Brenda Hutchinson's work has included performance and compositions for dance, 
  opera, film, video and radio. She has built interactive exhibits and installations. 
  Her work makes extensive use of language, stories, ambient and sampled sounds. 
  She often acts as a catalyst for experiences involving other people whose stories 
  and/or performances are recorded and shared with other audiences through her 
  work in performance and radio. Hutchinson has worked as a video producer, exhibit 
  builder and sound consultant at The Exploratorium in San Francisco, as an engineer 
  and instructor at Harvestworks in New York and as a sound designer for multi 
  media companies, Convivial Design and Purple Moon in San Francisco. Recordings 
  of her work are available through TELLUS, DEEP LISTENING, THE AERIAL, O.O. DISCS 
  and Leonardo Music Magazine.
  Contact: brendah@exploratorium.edu 
 Pauline Oliveros
  Since the 1960's Pauline Oliveros has influenced American Music extensively 
  through her works and with improvisation, electronic music, teaching, myth, 
  ritual, and meditation. She is currently artistic director of Pauline Oliveros 
  Foundation, Darius Milhaud professor at Mills College and professor of composition 
  at Oberlin Conservatory. As John Rockwell, New York Times, states, "On some 
  level, music, sound, consciousness and religion are all one, and she would seem 
  to be very close to that level."
  Contact: paulineo@deeplistening.org 
 Maggi Payne
  Maggi Payne is Co-director of the Center for Contemporary Music at Mills College 
  where she teaches recording engineering, composition and electronic music. She 
  has had performances of her works throughout the United States and Europe, including 
  Sonic Circuits IV Festival of Electronic Music, the Next Wave Festival eXstatic 
  Project in Australia, Prix Ars Electronica, OPUS415 No.3 in San Francisco, ƒnCue 
  SŽries XVI, Concordia University in Montreal, SoundCulture '96, New Music Across 
  America Festival '92, New Music America '90, '87 and '81 Festivals, Composers' 
  Forum in NYC, Siggraph, New York Museum of Modern Art, Paris Autumn Festival, 
  Bourges Festival in France, and the Autunno Musical at Como, Italy. Her works 
  are available on the Lovely Music, Music and Arts, Centaur, MMC, Frogpeak, and 
  Asphodel labels and the Mills College Anthology.
  Contact: maggi@mills.edu 
 Jim Pugliese
  Jim Pugliese grew up listening to and playing soul music and rhythm and blues. 
  He studied percussion with Raymond Des Roches, and performed and recorded new 
  music with John Cage, Philip Glass, Lukas Foss, Kent Nagano, and Carlos Chavez. 
  He spent twelve years as a member of Dean Drummond's Newband and The Harry Partch 
  Ensemble, studying and performing microtonal music. At the same time he developed 
  an interest in Afro-Cuban music and studied drumming and rhythm with Master 
  Drummer Pablo Landrum. For the last twelve years, he has been improvising and 
  recording with many of downtowns most prominent composer/improvisers. He has 
  performed throughout the United States, Europe and Japan, and his music has 
  been performed at Roulette, The Knitting Factory, Lincoln Center Outdoor Festival 
  and other venues in New York City, and at De Ijsbreker, Apollohuis, Logos, and 
  the Recontre Musicale Bu Jeune Federal Festival in Europe. A 1997 Artist In 
  Residence at Harvestworks in NYC, he recently performed with Philip Glass on 
  the PBS TV show Sessions on 54th Street. In February 1997 Avant released the 
  first cd for his collaborative trio EasSide Percussion with Christine Bard and 
  Michael Evans. He is currently working with his band Soultronix. 
  Contact:jimp@pipeline.com 
 Helen Thorington
  Thorington is the Executive Director of New Radio and Performing Arts, Inc. 
  (aka Ether-Ore), founder and producer of the national weekly radio series, "New 
  American Radio" and founder and producer of the "Turbulence" website.  
  She is a writer, sound composer, and radio producer, whose radio documentary 
  and dramatic work has been aired nationally and internationally for the past 
  fifteen years. She has also created compositions for film and installation that 
  have been shown at the Berlin Film Festival and the Whitney Bienniel.  
  Her networked collaborations include the "turbulence" composition for PORT, 
  distributed live by Real Audio to the Internet and to the List Center for the 
  Visual Arts, February and March 1997; ADRIFT, a networked collaboration with 
  Marek Walzcak and Jesse Gilbert,  created for the Ars Electronica Festival 
  in Linz, Austria in September 1997.
  Contact: newradio@turbulence.org
Jesse Gilbert, Morton Street (see above)
 David Kwan, Mills College
  David Kwan is a composer and artist whose work encompasses performance, video, 
  and installation. His approach to sound production stems from ideas and techniques 
  found in visual art such as collage and film montage, as well as in musique 
  concrete, radio, and seventies dub. He is a member of the musical groups Vorticella 
  and Circular Firing Squad, and recordings of his works are available from the 
  Asphodel, Artifact, and Atomic Novelties labels. He is currently the Technical 
  Director for Intermedia Arts at Mills College in Oakland, California.
  Contact: kwan@mills.edu
 Leslie Lavellet, Harvestworks, Inc.
  Leslie Lavelanet is a musician and recording artist who is currently Main Audio 
  Engineer at Harvestworks. He has worked on several major film soundtracks with 
  producers Callum Greene, Neil Hollander and Victoria Maldonado. In addition 
  to recording credits, he also teaches the Music Production Workshop and tutorials 
  in Digital Audio Recording at Harvestworks.
  Contact: info@harvestworks.org
 Carol Parkinson, Harvestworks, Inc. 
  Executive Director of Harvestworks since 1987, Carol Parkinson has long been 
  involved in programming and development of the organization. Previous to that, 
  she was employed by the DIA Art Foundation as assistant to composer LaMonte 
  Young. During her employment at Harvestworks, Parkinson has organized panelists 
  and participated in the review of applications to the Harvestworks Artist-In-Residence 
  Program since its beginning in 1983. She is a founding member of TELLUS, the 
  experimental audio series and continues to support and distribute experimental 
  and innovative work in the digital media arts. Her primary interest is in the 
  field of electronic media and in supporting the development of a new aesthetic 
  with the artistic use of new technological tools. As a composer she has performed 
  at Roulette, the Kitchen and White Columns and has done soundtracks for video 
  artists Louis Grenier and Julie Harrison. She has been published in EAR magazine, 
  the Village Voice and High Performance Magazine. Grants and awards include a 
  NYSCA media grant for a collaboration with video artist Julie Harrison. 
  Contact: info@harvestworks.org 
 Leslie Stuck, Mills College
  Leslie Stuck is Technical Director of the Center for Contemporary Music at Mills 
  College. He has composed electronic music for the New York City Ballet, the 
  The Paris Opera Ballet, and the Tokyo Ballet. He has done sound design for Frank 
  Zappa, Laurie Anderson, and Heiner Goebbels, as well as constructed real-time 
  computer environments for Jeffrey Shaw, Agnes Hegedus, and Peirre Boulez.
  Contact: les@mills.edu 
 Visuals
 Neil Zusman
  Neil Zusman has been making cinema for over twenty years. Working in theater, 
  poetry, film, video, and multimedia; he has also taught and curated exhibitions 
  of experimental electronic art and media. He has been using the Experimental 
  Television Center Residency Program since 1996 to work on video for performed 
  projections and web design. PULSE.TIME, now in residence on the Turbulence site, 
  is his first website. He is a graduate of the Cinema Department at SUNY Binghamton 
  and has an M.A. in Media Studies from the University at Buffalo.
  Contact: zusman@earthlink.net