John Cayley reminds interested potential candidates that Brown’s prestigious Graduate Program in Literary Arts – two years (usually all-found) leading to an MFA – is currently accepting one applicant per year as an Electronic Writer (one of c. 14 per annum; the others apply for 5 fiction, 5 poetry and 3 play-writing places; past ‘electronic’ incumbents are: Noah Wardrip-Fruin, Talan Memmott, William Gillespie, Brian Kim Stefans, Daniel Howe; Aya Karpinska is in her second year, and Justin Katko started this Fall). This is a great opportunity for a practitioner to develop and to achieve a widely-recognised academic qualification (a ‘terminal degree’ they sometimes call it here: taken to be a Good Thing). The application deadline for next Fall’s intake is December 15. Full details on the Literary Arts Programs web site:
In the latest selection from the Electronic Book Review, Associate Editor Lori Emerson brings together both critics and creators of electronic poetry, some of whom established themselves at the very start and many more who are recent entrants in the field of electronic literature. Essays on print poetry as well as born digital poetry help to situate the field in both a trans-disciplinary and trans-national context.
The collection (more than twenty essays in all) includes three review-essays on the Electronic Literature Collection (volume 1), published by the ELO: “How to Think (with) Thinkertoys” by Adalaide Morris; “Letters That Matter” by John Zuern; and “Electronic Literature circa WWW (and Before)” by Chris Funkhouser. New essays on and by Douglas Barbour, Michael Barrett, Greg Betts, Christof Bruno, Charles Bernstein, Stephen Cain, Robert Creeley, Clayton Eshleman, Alan Fisher, Eduardo Kac, Hugh Kenner, Walter Benn Michaels, Jay Murphy, Janet Neigh, Soren Pold, Christopher Nolan, Jaishree Odin, Tom Raworth, Maggie O’Sullivan, Stephanie Strickland, Angela Szczepaniak, Steve Tomasula, and Eugene Thacker.