ELO at Baby Castles Jan 4

BABYCASTLES

Jan 4, 2018, 8pm

Baby Castles Reading Image

Join the Electronic Literature Organization at an evening of readings and performances at Babycastles, located at 145 W. 14th St., NY, NY

The event takes place on Thursday, January 4, from 8-10 p.m. It is free and open to the public.

Featured Artists and Works Performed:

  • Nick Montfort, “The Truelist”
  • Stephanie Strickland, “Hours of the Night”
  • Andrew Demirijian, ‘Pan-Terrestrial People’s Anthem’.
  • Laura Zaylea, “Style Guide for Erasing Human Dignity”
  • Alan Sondheim, “Splatter”
  • Kyle Booten, “Gymnasion”
  • Bill Bly, We Descend, Volume 3

 

Nick Montfort, “The Truelist”

Nick Montfort’s computer-generated books of poetry include #!, the collaboration 2×6, Autopia, and The Truelist, the first in the new Using Electricity series from Counterpath. Among his more than fifty digital projects are the collaborations The Deletionist, Sea and Spar Between, and Renderings. His digital artwork was shown this summer at Babycastles in New York and in Boston City Hall. He has six books out from the MIT Press, most recently The Future (in the Essential Knowledge series). He is professor of digital media at MIT and lives in New York and Boston. You can find this with all the italics in place here: http://nickm.com/me.html#summary

Stephanie Strickland, “Hours of the Night”
Stephanie Strickland has published 8 books of poetry, most recently Dragon Logic and V: WaveTercets / Losing L’una, and 11 works of electronic literature. Zone : Zero, book + CD, includes the poem slippingglimpse which maps text to Atlantic wave patterns. Recent digital poems include House of Trust with Ian Hatcher and Hours of the Night with M.D. Coverley. A volume of  New & Selected is forthcoming in early 2019. http://stephaniestrickland.com

Andrew Demirijian, “Pan-Terrestrial People’s Anthem”
Andrew Demirjian is an interdisciplinary artist who creates experimental assemblages of image, sound and text. His practice features a heightened attention to the role of sound and language and uses constraint systems, chance operations and remixing to produce the work. The pieces take the form of interactive installations, digital poems and audiovisual performances. Andrew’s work has been exhibited at The Museum of the Moving Image, Fridman Gallery, The Newark Museum, Eyebeam, Rush Arts, Fieldgate Gallery, the Center for Book Arts, LMAK Projects and many other galleries, festivals and museums. The MacDowell Colony, Puffin Foundation, Artslink, Harvestworks, Clocktower Gallery, Bemis Center, LMCC and the New Jersey State Council on the Arts are among some of the organizations that have supported his work. Andrew teaches theory and production courses in emerging media in the Film and Media Department and Integrated Media Arts MFA program at Hunter College. In 2018 he will be a Fellow at the MIT Open Documentary Lab working on a language analysis and visualization project.

Laura Zaylea, “Style Guide for Erasing Human Dignity”

Laura Zaylea is a media artist and Assistant Professor at Temple University in Philadelphia. Recent e-lit works include the web-based multimedia novel Closer Than Rustand the “locative romance” and grammar guide Speak2MeInCode. She is currently working on an interactive documentary about LGBTQ families, which can be found at www.LGBTQ-family.com. Laura holds a BA from Brown University and MFA from the San Francisco Art Institute. More about her creative work can be found at www.LauraZaylea.com. Closer Than Rust – https://laurazaylea.com/creative-work/ctr/. Speak2MeInCode – https://speak2meincode.com/.

Alan Sondheim, “Splatter”
Alan Sondheim is a city-based new media artist, musician, writer, and performer concerned with issues of virtuality, and the stake that the real world has in the virtual. He has worked with his partner Azure Carter among others. Sondheim is interested in examining the grounds of the virtual and how the body isinhabited. He performs in virtual, real, and cross-over worlds; his virtual work is known for its highly complex and mobile architectures. He has used altered motion-capture technology extensively for examining and creating new lexicons of behavior. His current work is centered around notions of gamespace, ‘edgespace’ (the border areas of gamespace) and ‘blankness,’ projections around edgespace. He’s been developing a theory of semiotic splatter / splatter semiotics, dealing with fast-forward literatures of twitter, politics, 4chan, facebook, etc. His writing stems out of codework, a problematic style in which code substrates and surface content interfere with each other – in which, in other words, the textual body and body of text are deeply entangled.  His current music is based on the impossibility of time reversal, on fast improvisation, and anti-gestural approaches to playing. His most recent work is this short biography.

 

Kyle Booten, “Gymnasion”
Kyle Booten is a Postdoctoral Fellow in the Neukom Institute for Computational Science at Dartmouth College.  His recent work has appeared or is forthcoming inFenceWestern Humanities ReviewPoor Claudiaand the proceedings of the North American Chapter of the Association for Computational Linguistics. He holds a PhD from UC Berkeley and an MFA from the University of Michigan, Ann Arbor.  You can see his website at https://kylebooten.me.

Bill Bly, We Descend, Volume 3
Bill Bly is the author of We Descend, an ongoing hypertext archive of writings begun in the 1980s with a fountain pen on notebook paper jammed in a clipboard: Volume One came out on floppy disk; Volume Two is on the web; Volume Three is under development. He has won the Stanley Drama Award and (with John McDaid) the John Culkin Award for Outstanding Praxis in Media Ecology. Bill was a founding member of the Hypertext Writers Workshop, and served as recorder for the legendary Cybermountain Colloquium. He has taught hypertext theory and practice at New York University and Fordham University, and was Director of Writing Programs at Wagner College. He lives in Mexico.

The emcee for the evening is Dene Grigar, a curator, e-lit artist, and digital preservationist from the Creative Media & Digital Culture Program at Washington State University Vancouver. She directs the Electronic Literature Lab and is President of the Electronic Literature Organization.

 

 

Sponsors include the ELO, Babycastles, & Washington State University Vancouver.

New ELO Officers & 3 New Board Members

With the 4th International Conference, ELO announces its new officers and board members.

Taking over the reins from Joseph Tabbi will be incoming President Nick Montfort and Vice President Dene Grigar. Also, ELO announces 3 new members to the ELO Board of Directors: Fox Harrell, Carolyn Guertin, and Jason Nelson. Sandy Baldwin will take over as Treasurer and Mark Marino will continue as Director of Communication.

The term of the ELO President is three years.

Below you will find bios:

Nick Montfort, President

Nick Montfort writes computational and constrained poetry, develops computer games, and is a critic, theorist, and scholar of computational art and media. He is associate professor of digital media in the Program in Writing and Humanistic Studies at the Massachusetts Institute of Technology. He earned a Ph.D. in computer and information science from the University of Pennsylvania.

Montfort’s digital media writing projects include the group blog Grand Text Auto, the ppg256 series of 256-character poetry generators; Ream, a 500-page poem written on one day; Mystery House Taken Over, a collaborative “occupation” of a classic game; Implementation, a novel on stickers written with Scott Rettberg; and several works of interactive fiction: Book and Volume, Ad Verbum, and Winchester’s Nightmare.

Montfort, with Ian Bogost, wrote Racing the Beam: The Atari Video Computer System (MIT Press, 2009), the first book in the Platform Studies series. He wrote Twisty Little Passages: An Approach to Interactive Fiction (MIT Press, 2003), and, with William Gillespie, 2002: A Palindrome Story (Spineless Books, 2002), which the Oulipo acknowledged as the world’s longest literary palindrome. He also edited The Electronic Literature Collection Volume 1 (with N. Katherine Hayles, Stephanie Strickland, and Scott Rettberg, ELO, 2006) and The New Media Reader (with Noah Wardrip-Fruin, MIT Press, 2003). His current work is on narrative variation in interactive fiction and the role of platforms in creative computing.

Dene Grigar, Vice President:

Dene Grigar is an Associate Professor and Director of the Digital Technology and Culture Program at Washington State University Vancouver who works in the area of electronic literature, emergent technology and cognition, and ephemera. She is the author of “Fallow Field: A Story in Two Parts” and “The Jungfrau Tapes: A Conversation with Diana Slattery about The Glide Project“, both of which have appeared in the Iowa Review Web, and When Ghosts Will Die (with Canadian multimedia artist Steve Gibson), a piece that experiments with motion tracking technology to produce networked narratives. Her most recent project is the “Fort Vancouver Mobile Project,” a locative / mixed media effort that brings together a core team of 20 scholars, digital storytellers, new media producers, historians, and archaeologists to create location-aware nonfiction content for mobile phones to be used at the Fort Vancouver National Historic Site. She serves as Associate Editor for Leonardo Reviews

New Board Members

Fox Harrell:

Fox Harrell is a researcher, author, and artist exploring the relationship between imaginative cognition and computation. He and his laboratory, the Imagination, Computation, and Expression [ICE] Lab/Studio develop new forms of computational narrative, gaming, and related digital infrastructures and technical-cultural media with a basis in computer science, cognitive science, and digital media arts. He is an Assistant Professor of Digital Media in the department of Literature, Communication, and Culture at the Georgia Institute of Technology.

Carolyn Guertin:

Carolyn Guertin has a dual appointment in new media. She is Director of the eCreate Lab and Assistant Professor of Digital Media in the Department of English at the University of Texas at Arlington. She is also a faculty member at Transart Institute in Berlin, Germany and Linz, Austria, an international low residency MFA program in new media at Danube University Krems. She is curator of the celebrated collection Assemblage: The Online Women’s New Media Gallery out of the U.K., and was Senior McLuhan Fellow at the McLuhan Program in Culture and Technology at the University of Toronto, where she was SSHRC Postdoctoral Fellow from 2004-06. She has been a Literary Adviser to the Electronic Literature Organization since its inception, is a member of the MLA Committee on Information Technology, and is an editorial board member of Convergence.

She earned her PhD with a study of cyberfeminist digital narrative and the technologies of memory in the Department of English and Film Studies at the University of Alberta, Canada. She has taught, exhibited and published internationally, and does theoretical work in: cyberfeminism, hacktivism, born-digital arts and literatures, (global) film futures, information aesthetics, postliteracy and the social practices surrounding technology (especially social networking and participatory culture). She is working on a new book on new media art, authorship and the politics of creation in our digital world.

Jason Nelson:

Born from the computerless land of farmers and spring thunderstorms, Jason Nelson somehow stumbled into creating awkward and wondrous digital poems and interactive stories of odd lives. Currently he teaches Net Art and Electronic Literature at Griffith University in the Gold Coast’s contradictory lands. Aside from coaxing his students into breaking, playing and morphing their creativity with all manner of technologies, he exhibits widely in galleries and journals, with work featured around globe in New York, Mexico, Taiwan, Spain, Singapore and Brazil, at FILE, ACM, LEA, ISEA, ACM, ELO and dozens of other acronyms. But in the web based realm where his work resides, Jason is most proud of the millions of visitors his artwork/digital poetry portal http://www.secrettechnology.com attracts each year.

DAC 2009 Calls for Papers and Works! (May 1/Dec. 12-15, 2009)

Digital Arts and Culture (better known as DAC) 2009 has announced several calls to entice authors and critics of electronic literature. The conference will be held at UC Irvine December 12-15 and takes for its topic: “after media, embodiment and context.”

First and foremost a night of readings: Electronic Literary Arts Performances, curated by Jessica Pressman and Mark C. Marino.

From the call:

Each performance is limited to 5-7 minutes and should take the form of interactive engagement with the audience and dramatic presentations of creative digital-born works.

Second, two tracks in particular may appeal to ELO folks:

  • Software/ platform studies, hosted by Jeremy Douglass and Noah Wardrip-Fruin
  • Cognition and creativity, hosted by Fox Harrell
  • A Space-Time of Ubiquity and Embeddedness — hosted by Ulrik Ekman and Mark Hansen.

Please see the official call for all the details.

UK Major Grant Award for e-lit: ‘Poetry Beyond Text’

British Arts and Humanities Research Council has awarded a major grant (£440,000 over 2 years) to ‘Poetry Beyond Text,’ which will include investigations into “digital poetry, books of poetry and photography, artists’ books and concrete and pattern poetry.”

This grant marks another sign of international interest and national arts investment in the exploration of electronic literature.

Below is news from their announcement:

Researchers at the Universities of Dundee and Kent have just been awarded a major grant from the Arts and Humanities Research Council, to study poetry ‘beyond text’.

The project, entitled Poetry Beyond Text: Vision, Text and Cognition involves researchers in English, Comparative Literature, Psychology and Fine Art in a 2-year partnership between the two universities. The team will be led by Dr Andrew Michael Roberts of the Dundee School of Humanities English Programme.
Read more UK Major Grant Award for e-lit: ‘Poetry Beyond Text’

2009 Initiatives: EL Collection v.2 and EL Directory 2.0

ELO announces 2 new resources of electronic literature for 2009: The Electronic Literature Collection, vol. 2, and the new Electronic Literature Directory.

1) The Electronic Literature Directory version 2.0 will feature an easy-to-use interface for accessing a robust collection of electronic literature, edited and annotated. As more faculty begin adding electronic literature to their courses, the directory will prove an invaluable resource for accessing new and classic electronic literature. These works have been vetted and documented by the ELO Working Group, coordinated by Lori Emerson. The directory will feature a new design, offering visitors more ways to find the kinds of e-lit they desire while also discovering works they could not have imagined.

Under the Direction of ELO president Joseph Tabbi, the ELD 2.0 was developed from 2006-09 by Maleeka Ingram, Stuart Moulthrop, Scott Rettberg, Stephanie Strickland, and ELO Technical Director Ewan Branda. The previous version of the Directory was developed by Robert Kendall and Nick Traenkner.

2) Following up on the widely distributed volume 1, ELO presents Electronic Literature Collection, volume 2. Like vol. 1, This second biannual collection will be available as a stand-alone disc (DVD) and an online collection. The editorial collective for the second volume includes Laura Borràs Castanyer, Talan Memmott, Rita Raley and Brian Kim Stefans.

These two resources with their wide arrays of works will offer yet more answers to the question what is electronic literature? More importantly, they provide reliable, edited collections of materials and links that ensure that scholars will not end their search for new elit on a 404 error. Stay tuned to the RSS feed for ELO for more updates soon.

Call for Barcelona E-Poetry Festival (12/1, 5/24-27/09)

Laura Borràs Castanyer and Loss Pequeño Glazier have called for papers and works (due: Dec. 1) for  E-Poetry Festival in Barcelona 2009 (May 24-27) at the Universitat Obertat de Catalunya (UOC). Many ELO members participated in E-Poetry 2007 in Paris, and this year’s conference will be another key international e-lit rendezvous.

Artistic events will take place at key Barcelona venues such as the Barcelona Center for Contemporary Culture (http://www.cccb.org/en/ <http://www.cccb.org/en/>), providing authors the opportunity to present their works to a public curious about new literary and artistic trends employing technology and communication during the Setmana de la Poesia.

*Kate Hayles, Roberto Simanowski, and Jean Clément (Université Paris 8) are slated to deliver keynotes.

Selected papers will be published in proceedings.

Organizers include the UOC’s research group Hermeneia with the collaboration of Electronic Poetry Center (University of Buffalo) and the Laboratoire Paragraph (Université Paris 8).

See the full call here:
http://www.hermeneia.net/index.php?option=com_content&view=category&layout=blog&id=39&Itemid=489

ELO and Siegen join forces

Siegen Beyond the Future
Siegen Beyond the Future

ELO announces two exciting connections with The University of Siegen, Germany!

1) The Conference:

Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres

International conference at the Cultural Studies Research Center “Media Upheavals” University of Siegen, Germany, Artur-Woll-Haus, November 20-21, 2008 Organized by Professor Dr. Peter Gendolla and Dr. Jörgen Schäfer

The program can be found here:

The conference features many ELO members and affiliates: Roberto Simanowski, Kate Hayles, John Cayley, Noah Wardrip-Fruin, and ELO Director Joseph Tabbi.

2) The Collaboration:

The project group at Media Upheavals and the ELO have been collaborating since the summer of 2007. The Siegen database of Critical Works will be folded into the Electronic Literature Directory, version 2.0 that will be found on this site. In addition to collecting works, we are developing a recording format and metadata standard that will be portable and shared, and a model for literary archival projects web-wide.

New Collection; Stephanie Strickland’s Zero: Zero

Announcing Stephanie Strickland’s new book of poems, ZONE : ZERO, which includes a CD with two sequences from the book as interactive digital poems.

Here you will find sample poems, reviews, and recorded readings, along with endorsements from Marjorie Perloff, Rachel Loden, and Brian Kim Stefans,

Stephanie has contributed immeasurably to the production and promotion of electronic literature through her work as a poet, as a critic and theorist, and most recently as a co-editor of the Electronic Literature Collection, Vol. I.

The New River’s New Call (11/5/08)

Editor Nick Kocz sends this call from The New River:

The New River is a journal of digital writing and art, created and edited by Ed Falco. The managing editors for the Fall ’09 issue, Manisha Sharma and Nick Kocz, are interested in receiving submissions of original and unpublished digital writing and art that merges place, history, and culture. However, we are open to considering other pieces as well. Surprise us!

Please check The New River‘s submission guidelines for further information. The  deadline for consideration for our Fall ’08 issue is November 5, 2008. If accepted, you will be asked to upload all files to our server so we can host it  locally. If you have any questions, feel free to email us. To view the Spring  2008 issue, as well as archives, visit us at http://www.thenewriver.us