Blog Comments and Peer Review Go Head to Head to See Which Makes a Book Better

Check out The Chronicle of Higher Education‘s coverage of ELO board member Noah Wardrip-Fruin’s latest project.

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Tuesday, January 22, 2008

Blog Comments and Peer Review Go Head to Head to See Which Makes a Book Better

By JEFFREY R. YOUNG

What if scholarly books were peer reviewed by anonymous blog comments rather than by traditional, selected peer reviewers?

That’s the question being posed by an unusual experiment that begins today. It involves a scholar studying video games, a popular academic blog with the playful name Grand Text Auto, a nonprofit group designing blog tools for scholars, and MIT Press.

The idea took shape when Noah Wardrip-Fruin, an assistant professor of communication at the University of California at San Diego, was talking with his editor at the press about peer reviewers for the book he was finishing, The book, with the not-so-playful title Expressive Processing: Digital Fictions, Computer Games, and Software Studies, examines the importance of using both software design and traditional media-studies methods in the study of video games.

One group of reviewers jumped to his mind: “I immediately thought, you know it’s the people on Grand Text Auto.” The blog, which takes its moniker from the controversial video game Grand Theft Auto, is run by Mr. Wardrip-Fruin and five colleagues. It offers an academic take on interactive fiction and video games.

Inviting More Critics

The blog is read by many of the same scholars he sees at academic conferences, and also attracts readers from the video-game industry and teenagers who are hard-core video-game players. At its peak, the blog has had more than 200,000 visitors per month, he says.

“This is the community whose response I want, not just the small circle of academics,” Mr. Wardrip-Fruin says.

So he called up the folks at the Institute for the Future of the Book, who developed CommentPress, a tool for adding digital margin notes to blogs (The Chronicle, September 28, 2007). Would they help out? He wondered if he could post sections of his book on Grand Text Auto and allow readers, using CommentPress, to add critiques right in the margins.

The idea was to tap the wisdom of his crowd. Visitors to the blog might not read the whole manuscript, as traditional reviewers do, but they might weigh in on a section in which they have some expertise.

The institute, an unusual academic center run by the University of Southern California but based in Brooklyn, N.Y., was game. So was Mr. Wardrip-Fruin’s editor at MIT Press, Doug Sery, but with one important caveat. He insisted on running the manuscript through the traditional peer-review process as well. “We are a peer-review press—we’re always going to want to have an honest peer review,” says Mr. Sery, senior editor for new media and game studies. “The reputation of MIT Press, or any good academic press, is based on a peer-review model.”

So the experiment will provide a side-by-side comparison of reviewing—old school versus new blog. Mr. Wardrip-Fruin calls the new method “blog-based peer review.”

Each day he will post a new chunk of his draft to the blog, and readers will be invited to comment. That should open the floodgates of input, possibly generating thousands of responses by the time all 300-plus pages of the book are posted. “My plan is to respond to everything that seems substantial,” says the author.

The institute is modifying its CommentPress software for the project, with the help of a $10,000 grant from San Diego’s Academic Senate, to create a version that bloggers can more easily add to their existing academic blogs.

A Cautious Look Forward

Mr. Wardrip-Fruin’s friends have warned him that sorting through all those comments will take over his life, or at least take far more time than he expects. “It’s been said to me enough times by people who are not just naysayers that it is in the back of my mind,” he acknowledges. Still, the book’s review process “will pale in comparison to the work of writing it.”

He expects the blog-based review to be more helpful than the traditional peer review because of the variety of voices contributing. “I am dead certain it will make the book better,” he says.

Mr. Sery isn’t so sure. “I don’t know how this general peer review is going to help,” the editor says, except maybe to catch small errors that have slipped through the cracks. Traditional peer review involves carefully chosen experts in the same subject area, who can point to big-picture issues as well as nitpick details. He bets that the blog reviews might merely spark flame wars or other unhelpful arguments about minor points. “I’m curious to see what kind of comments we get back,” he says.

That probably “depends on what you’re writing about,” says Clifford A. Lynch, executive director of the Coalition for Networked Information, a group that supports the use of technology in scholarly communication. “If, God help you, you’re writing about current religious or political issues, you’re going to get a lot of people with agendas who aren’t interested in having a rational discussion. Some of them are just psychos.”

Even without flame wars, Mr. Sery equates the blog review with the kind of informal sharing of drafts that many academics do with close friends. It’s useful, but it’s still not formal peer review, he argues. Carefully choosing reviewers “really allows for the expression of their ideas on the book,” he says. Scholars can say with authority, for instance, that a book just isn’t worth publishing.

Ben Vershbow, editorial director at the Institute for the Future of the Book, concedes that comments on blogs are unlikely to fully replace peer review. But he says academic blogging can play a role in the publishing process.

“The conversational modes of reading and writing on the Web in things like blogs and wikis really chime well with the essential idea of peer review, which is putting out work in development to a peer group and refining the work,” he says. But he hopes that Mr. Wardrip-Fruin’s project demonstrates that the scholarly communities that have formed around many academic blogs “can to a large extent take care of their own review processes.”

Whether it does or does not, Mr. Wardrip-Fruin expects the experience will be interesting enough to write up in an academic essay, or maybe in the preface to the book, when it finally comes out in the old-fashioned printed form.

Copyright (c) 2008 by The Chronicle of Higher Education

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New Elit in Hyperrhiz 04

The newest edition of Hyperrhiz: New Media Cultures is now online. This issue, which focuses on electronic literature, features work from

Thom Swiss
Mark Marino
Braxton Soderman
Stephanie Strickland and Cynthia Lawson Jaramillo
Jaka Zeleznikar
Michael Peters
Jeanne Hamming

Also starting this month, the journal introduces { Literal1.Text }, the online forum for teachers of electronic literature, convened by Davin Heckman.  Please consider joining up and sharing your expertise as teachers.

Hyperrhiz: New Media Cultures is an online, peer-reviewed publication specializing in new media and net art. We welcome submission of net-ready art projects, electronic literature works and review essays; contact submissions [at] hyperrhiz.net.

“Seeking” Rob Swigart

Announcing “Seeking,” new fiction by Rob Swigart, innovator, elit author, and former Secretary of the ELO Board. “Seeking” appears as part of the Fictions Present thread in the electronic book review.

*** From ebr:

Rob Swigart’s “Seeking” is a clever and funny story whose roots lie in the materialization of internet interdating connections. Moving through the technological and media reductions of desire, Swigart parallels the overarching theme of “seeking” with a form that is itself punctuated with questions.

Read more “Seeking” Rob Swigart

Extension: CFP: Visionary Landscapes (12/16, 5/29-6/1)

The deadline for Visionary Landscapes: Electronic Literature Organization 2008 Conference has been extended to December 16, 2007.

The conference takes place from May 29-June 1, 2008 at Washington State University Vancouver in lovely Vancouver, WA. It is sponsored by both the Electronic Literature Organization and WSUV. Speakers include Mark Amerika, Sue Thomas, and John Cayley. A Media Arts Show will be held in conjunction with the conference and will feature art such as digital sculpture, net art, multimedia installations and performances, electronic music, and the like. Workshops in audio production and reading elit are also scheduled.

According to conference co-chair, Dene Grigar,

It should prove to be an interesting weekend for anyone involved in digital media projection, scholarship, and teaching.

Graduate Program in Literary Arts at Brown University

John Cayley reminds interested potential candidates that Brown’s prestigious Graduate Program in Literary Arts – two years (usually all-found) leading to an MFA – is currently accepting one applicant per year as an Electronic Writer (one of c. 14 per annum; the others apply for 5 fiction, 5 poetry and 3 play-writing places; past ‘electronic’ incumbents are: Noah Wardrip-Fruin, Talan Memmott, William Gillespie, Brian Kim Stefans, Daniel Howe; Aya Karpinska is in her second year, and Justin Katko started this Fall). This is a great opportunity for a practitioner to develop and to achieve a widely-recognised academic qualification (a ‘terminal degree’ they sometimes call it here: taken to be a Good Thing). The application deadline for next Fall’s intake is December 15. Full details on the Literary Arts Programs web site:

New on the Electronic Book Review: Electropoetics

In the latest selection from the Electronic Book Review, Associate Editor Lori Emerson brings together both critics and creators of electronic poetry, some of whom established themselves at the very start and many more who are recent entrants in the field of electronic literature. Essays on print poetry as well as born digital poetry help to situate the field in both a trans-disciplinary and trans-national context.

The collection (more than twenty essays in all) includes three review-essays on the Electronic Literature Collection (volume 1), published by the ELO: “How to Think (with) Thinkertoys” by Adalaide Morris; “Letters That Matter” by John Zuern; and “Electronic Literature circa WWW (and Before)” by Chris Funkhouser. New essays on and by Douglas Barbour, Michael Barrett, Greg Betts, Christof Bruno, Charles Bernstein, Stephen Cain, Robert Creeley, Clayton Eshleman, Alan Fisher, Eduardo Kac, Hugh Kenner, Walter Benn Michaels, Jay Murphy, Janet Neigh, Soren Pold, Christopher Nolan, Jaishree Odin, Tom Raworth, Maggie O’Sullivan, Stephanie Strickland, Angela Szczepaniak, Steve Tomasula, and Eugene Thacker.

“Reading Digital Literature” at Brown University, October 4-7

If you are near Brown University this week from October 4-7, consider attending “Reading Digital Literature,” a colloquium organized by Roberto Simanowski. A description and the website follow.

A curtain of tiny screens with live quotations from Internet chat; stories generated by computer programs; narratives generated by their readers; words that disappear; texts that reveal themselves depending on their readers’ position. How shall we read such moving letters? How do we catch their meanings? How can they make us feel? The conference “Reading Digital Literature” brings together ten specialists from the USA and Europe to search for answers through in-depth analyses.

For details on the agenda, concept, etc., please visit: Reading Digital Literature

Brown appoints John Cayley to teach electronic writing

Brown’s Literary Arts Program welcomes John Cayley to the faculty as a senior visiting professor. In this position, Cayley will teach electronic writing, including CaveWriting, for a minimum of five years.

Cayley has stated that as a result of this appointment, part of his role will be to ask difficult questions to help push work in the field further. “What will or will not emerge as a widely recognized genre of writing from all the ephemeral new forms and experiments that proliferate across the Net and on the screens of our electronic familiars? How will all this change our notion of what writing is and how writing is made? Writing in and for a 3-D virtual world? It’s here now, and it will come,” says Cayley.

To learn more about Cayley’s work, visit:http://www.shadoof.net

Call for Submissions–deadline October 19, 2007

The New River is a journal of digital writing and art, created and edited by Ed Falco. The managing editors are graduate students from Virginia Tech’s MFA Creative Writing Program. We are interested in receiving submissions of original and unpublished digital writing and art.
To submit to The New River, just send a URL to our managing editor, Lauren Goldstein (writer@vt.edu), where we can find and review your work. If accepted, you will be asked to upload all files to our server so we can host it locally. If you have any questions, feel free to email us. Send all inquiries and submissions to newriver@vt.edu.
To view the Spring 2007 issue, as well as archives, visit us at
http://www.cddc.vt.edu/journals/newriver/07Spring/index.html