The Search for Electronic Literature Leads to the CELL Project
June 8, 2015 in ELO
ELO President Dene Grigar and Board Member Stuart Moulthrop are releasing a new free online book entitled Pathfinders, which features resources about foundational works of early electronic literature from some of the biggest names in the field. This is a vast resource for anyone wishing to study electronic literature or include it in their courses. Below is their full announcement.
The 2015 ELO Annual Prize
Submission Deadline May 5
The ELO is proud to announce the 2015 “N. Katherine Hayles Award for Criticism of Electronic Literature” and the “Robert Coover Award for a Work of Electronic Literature.” Introduced in 2014, these awards honor the best works of art and scholarship in the field of electronic literature. The 1st place winner is awarded $1000, a plaque, and a one-year membership to the ELO. One prize for Honorable Mention will be awarded and consists of a plaque and one-year membership in ELO. Guidelines for submissions can be found on the announcement page for each award.
February 23, 2015 in ELO
Announcing the publication of Hyperrhiz: New Media Cultures, issue 11, guest edited by Mark C. Marino and Rob Wittig, putting the spotlight on netprov. “Netprov” is a term Wittig coined for “networked improv narratives,” and many of the works and essays in the new issue reflect on and develop the meaning of that term.
Please see this call from the LEETHY Group in Madrid!
Call for papers:
Reading wide, writing wide in the Digital Age: perspectives on transliteratures
Complutense University of Madrid
22nd -23rd October 2015
Organizer: LEETHY Group
ELO-DHSI Summer Courses (6/1-5; 6/8-12; 6/15-19 2015)
We are pleased to announce that the Electronic Literature Organization (ELO) will be partnering with the Digital Humanities Summer Institute (DHSI) to offer opportunities for members to participate in the series of DH courses at the University of Victoria that takes place from June 1st-5th 2015, June 8th-12th 2015, and June 15th-19th 2015.
The 2015 Electronic Literature Organization conference and festival will take place August 5-7th 2015. The conference website is at: http://conference.eliterature.org. The conference will be hosted by the Bergen Electronic Literature research group at the University of Bergen, Norway with sessions at venues including the University of Bergen, Det Akademiske Kvarteret, the Bergen Public Library, the University of Bergen Arts library, and local arts venues. Bergen is Norway’s second-largest city, known as the gateway to the fjords, a festival city and cultural center with a lively and innovative arts scene.
September 21, 2014 in ELO
E-POETRY [ 2015 ] : BUENOS AIRES, ARGENTINA : NEW PATHS, NEW VOICES / NUEVAS RUTAS, NUEVAS VOCES [ June 9-12, 2015 ]
Submissions: Jan. 7, 2015 — Early Registration: March 15, 2015
The Heart is the Capital of the Mind— / The Mind is a single State—
The Heart and the Mind together make / A single Continent—
— Emily Dickinson
Based in Paris, Bouchardon has been a long time friend of ELO. In addition to his critical work, his creative works have been celebrated at a variety of ELO events including the recent New Media Gallery in Milwaukee.
Call for Submissions
The Electronic Literature Organization (ELO) is now seeking submissions and nominations for Volume 3 of the Electronic Literature Collection. ELO was founded in 1999 and has released two collections, in 2006 and 2011. The third volume is slated for publication in 2016 and will continue to archive outstanding examples of electronic literature from an international community of practitioners. The goal of this volume is to represent the current state of electronic literature and to archive historically significant works from earlier generations.
From hypertext and kinetic poetry to ARGs and Twitter bots, we invite submissions from a wide range of fields. Electronic literature (or e-lit) thrives at the intersection of digital media and textuality. ELO offers a broad definition of e-lit as “works with important literary aspects that take advantage of the capabilities and contexts provided by the stand-alone or networked computer” (http://eliterature.org/what-is-e-lit/). For examples of the range of writing previously collected, Volume 1 and 2 are available at http://collection.eliterature.org. These earlier volumes were published under a Creative Commons license, distributed in physical storage media, and available open-access through a website. The ELC3 will follow a similar format.
Our Summer eReading series resumes with a scholalry work that examines many of forms of electronic literature. Analyzing Digital Fiction (Routledge 2014), edited by Alice Bell, Astrid Ensslin, and Hans Rustad, features readings from an international group of scholars on an equally international collection of works.
Collected authors, in addition to the editors, include: Serge Bouchardon, David Ciccoricco, Isabell Klaiber, Alexandra Saemmer, Roberto Simanowski, Bronwen Thomas, and Susana Tosca. Finnish scholar Raine Koskimaa says, “This book provides the reader with powerful tools to analyze and understand the emerging fictions of digital culture.” It will make a good companion to the diverse works of electronic narrative that will also be featured in our summer eReading!
ELO is proud to announce the first winners of the “The N. Katherine Hayles Award for Criticism of Electronic Literature” and “The Robert Coover Award for a Work of Electronic Literature,” two new annual awards in the field. Designed to draw attention to the rising tide in this area, these awards awards mark a significant new initiative in ELO’s support of scholarship and art in the world of digital literature.
The winner of the Coover award is Jason Edward Lewis for his work, “Vital to the General Public Welfare” (The PoEMM Cycle), and the winner of the Hayles Award is Johannes Heldén & Håkan Jonson for their work, Evolution. Honorary Mention for the Coover Award goes to Aaron Reed for “18 Cadence.” Honorary Mention for the Hayles Award goes Calum Rodger for “Reading the Drones: Working Towards a Critical Tradition of Interactive Poetry Generation.” Below is the official announcement of the awards.