Review of “Telematic Embrace”
June 23, 2003 in Reviews
Read a review of Roy Ascott’s Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness by Joel Weishaus in the San Francisco Chronicle.
June 23, 2003 in Reviews
Read a review of Roy Ascott’s Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness by Joel Weishaus in the San Francisco Chronicle.
June 23, 2003 in Calls
Bunk Magazine seeks satirical and humorous new media works for publication in an upcoming issue. Please send pieces and links to submissions at bunkmag dot com.
Written by Marjorie Luesebrink, ELO’s President, the trip report details the 2 ELO panels at ACH: an academic session titled “PAD: Preservation, Archiving, and Dissemination of Electronic Literature” and a
creative reading titled “Writers Reading Electronic Literature”
June 23, 2003 in New E-Lit, Reviews
The Iowa Review Web features Stuart Moulthrop’s new piece, “Pax” and an interview with Moulthrop by Noah Wardrip-Fruin; the work of Margaret Stratton and an interview with Stratton by Leslie Roberts; and new work and reviews by Deena Larson, geniwate, Seth Thompson, Heidi Bean, and Pamela Gay.
June 23, 2003 in Other News
The Museum of the Essential and Beyond That contains a collection of essays in its library. If you have work that you would like to submit for publication, click here or email arteonline at arteonline dot arq dot br.
June 5, 2003 in New E-Lit
Visit the Slope Hyperliterature Feature to view works by Adrienne Eisen, Brandon Barr, Carrie McMillan, Giselle Beiguelman, Gloria Monaghan/John Landry, Jason Nelson, Jorge Luiz Antonio, Lewis Lacook, mez, and an introductory essay written by Edward Picot titled “Hyperliterature – The Apotheosis of Self-Publishing?”.
June 5, 2003 in Press
In an interview with the UK’s The Guardian about The New Media Reader, editor Noah Wardrip-Fruin mentions PAD’s efforts to preserve digital media.
June 5, 2003 in Other News
The June 2003 issue of Ygdrasil, A Journal of the Poetic Arts, is now available and features the poetry of Oswald Le Winter, winner of the 1997 International Rilke Prize for Poetry.