CFP ELO 17 (Dec 5; July 19-22, 2017)

August 12, 2016 in Calls, Conference

ELO’17

Electronic Literature > Affiliations, Communities, Translations

Hosted by UFP – University Fernando Pessoa, Porto, Portugal, July 19 – 22, 2017

http://conference.eliterature.org

Call For Papers & Works

The ELO (Electronic Literature Organization) is pleased to announce its 2017 Conference and Festival, to be held from July 19-22. The Conference is hosted by University Fernando Pessoa, Porto, and the Festival and Exhibits will be held in the center of the historic city of Porto, Portugal.

Titled «Electronic Literature: Affiliations, Communities, Translations», the Conference and Festival welcome dialogues and untold histories of electronic literature, providing a space for discussion about what exchanges, negotiations, and movements we can track in the field of electronic literature. These three threads will weave through the conference, structuring dialogue, debate, performances, presentations, and exhibits. The threads are meant as provocations, enabling constraints, and aim at forming a diagram of electronic literature today and expanding awareness of the history and diversity of the field.

The goal of this International Conference is to contribute to displacing and re-situating accepted views and histories of electronic literature, in order to construct a larger and more expansive field, to map discontinuous textual relations across histories and forms, and to create productive and poetic apparatuses from unexpected combinations. Each of the three strands – Affiliations, Communities, Translations – is described in detail below. Participants can apply to the Conference and Festival by locating their work within a strand. In all cases, we are open to experimental proposals that integrate theory and practice, and proposals that challenge presentation formats.

 

Affiliations

Electronic literature is trans-temporal. It has an untold history.

Conference: to be held at University Fernando Pessoa, July 19-22. We welcome submissions of Papers, Lightning talks, Posters, Panels, Roundtables, and Workshops for peer-review evaluation, disclosing multiple diachronic and genealogical perspectives on electronic literature, providing room for comparative studies, and exploring untold archeologies and commerces between electronic literature and other expressive and material practices. Topics include, but are not limited to: intermedia and ergodicity in Baroque poetry, futurism and dada; concretism, videopoetry and Fluxus; early experiments in generative and combinatory literature; videoart and soundart; and how these expressive forms are recreated and transcoded in digital forms of literature.

Festival: to be held at Culturgest, July 19. Proposals for performances, installations and screenings will be evaluated by the Artistic Committee. Evaluation criteria will include the works’ mapping of the aesthetic and material antecedents of electronic literature, and attention to remixing/re-coding of previous materials from the avant-gardes.

Exhibit: July 18-22, curated by Álvaro Seiça and Daniela Côrtes Maduro.

Communities

Electronic literature is global. It creates a forum where subjects in the global network act out and struggle over their location and situation.

Conference: to be held at University Fernando Pessoa, July 19-22. We welcome submissions of Papers, Lightning talks, Posters, Panels, Roundtables, and Workshops for peer-review evaluation that expand our understanding of electronic literature communities and how literature is accounted for within diverse communities of practice. Papers may include case studies of individual communities as well as broader engagement with how communities form and develop, and how they interact with and create affinities with other communities. Topics for comparative case studies include but are not limited to artists’ books, Augmented and Virtual Reality; Perl poetry; Sound-video practitioners; ASCII art and Net.Art; Hacktivism/Activism; Memes and Fan Fiction cultures; kids’ e-lit; Minecraft, Twine, Bots and Indie Gaming; and how these practices are connected to electronic literature.

Festival: to be held at Mosteiro de São Bento da Vitória, July 20. Proposals for performances, installations and screenings will be evaluated by peers. Evaluation criteria will include the work’s engagement with the diversity of practices in electronic literature and affiliated communities, as well as their critical awareness of network aesthetics.

Exhibit: July 18-22, curated by Bruno Ministro and Sandra Guerreiro Dias.

Translations

Electronic literature is an exchange between language and code. It contains many voices.

Conference: to be held at University Fernando Pessoa, July 19-22. We welcome submissions of Papers, Lightning talks, Posters, Panels, Roundtables, and Workshops for peer-review evaluation that understand electronic literature as translation in the broadest possible sense. Beyond interlinguistic translation, we will accept papers on emulations, virtualizations, re-readings, and interpretations. We particularly welcome papers that address the limits and specifics of the programmability of natural languages as a means of literary expression. Topics include but are not limited to plagiotropy; linguistic, intermedial and intersemiotic translation; code and text translation; generative literature; emulations of historic electronic literature; re-readings and interpretations of previous works; and how these activities expand our understanding of literature and textuality.

Festival: to be held at Mosteiro de São Bento da Vitória, July 21. Proposals for performances, installations and screenings will be evaluated by peers. Evaluation criteria will include the works’ linguistic reflexivity and their engagement with translation, broadly understood, i.e., as a transcoding mechanism involving exchange in and across media, languages and cultures.

Exhibit: July 18-22, curated by Ana Marques da Silva and Diogo Marques.

 

 

Submission Guidelines

Acceptance policy

  • ● For the Conference (peer-reviewed): 
    • Paper (10 to 15 mins – a presentation of a single paper by one or more authors – 500 word abstract).
    • Lightning talk (5 mins – a short paper for a focused presentation – 250 word abstract).
    • Poster (for poster sessions – submit 1-page poster).
    • Panel (45 mins – a proposal for a complete panel including separate papers on the same general topic – 250 word overview plus 500 word individual abstracts).
    • Roundtable (45 mins – a group presentation of a specific topic emphasizing discussion and audience interaction – 500 word abstract).
    • Workshop (Action sessions, focused on hands-on group work on a given project or topic – 500 word abstract).
  • ● For the Festival (peer-reviewed): 
    • Performance (10 to 15 mins – readings, actions, interventions – 250 word abstract; provide links to images, videos, etc.)
    • Installation (provide description of installation, as well as technical needs)
    • Screening (provide link to video)
  • Submissions open: August 15th, 2016.
  • Abstracts Due: December 5th, 2016. Review will follow a double-blind process, using easychair (https://easychair.org/conferences/?conf=elo2017). The CFP and review process will take into consideration the differences between Paper, Lightning Talk, Poster, Panel, Roundtable, Workshop, Performance, Installation, Screening.
  • Acceptances sent out: January 15th, 2017.
  • ● Proposers must attend the conference. Authors can submit as many proposals as they want, but a maximum of two will be accepted for presentation. Submissions should be done using easychair: https://easychair.org/conferences/?conf=elo2017
  • Registration: Early registration will close March 31st, 2017. There will be a registration fee for the Conference, which includes ELO Membership, invitations to all sessions of the Conference, Festival, and Exhibits, as well as access to the Banquet. Lunch and coffee-breaks will be served.
  • ELO 2017 will provide basic technological needs such as Internet, projectors, power cords, sound systems, and cables. Specific and/or specialized equipment needs should be provided by artists. ELO is not responsible for shipping costs. Proposals for all creative activities must be submitted via the conference website.
  • Abstracts, papers, lightning talks, posters, and audiovisual documentation of the Festival and Exhibits will be published. A selection of papers will be published in Hyperrhiz: New Media Cultures (ISSN 1555-9351).
  • For more information, contact Rui Torres, ELO’17 Chair, rtorres [at] ufp.edu.pt
  • Organization
  • Organizing Committee
  • Rui Torres, Chair (Univ. Fernando Pessoa, Porto)
  • Sandy Baldwin, Co-Chair (Rochester Inst. Technology, USA)
  • ● Manuel Portela, Scientific Committee Chair (Univ. Coimbra, Portugal)
  • ● Leonardo Flores, Artistic Committee Chair (Univ. Puerto Rico, Mayagüez)
  • ● Dene Grigar, Exhibits Chair (Washington State Univ. Vancouver, USA)
  • ● Nadine Trigo, Local Chair (Univ. Fernando Pessoa, Porto)
  • Scientific Committee
  • Manuel Portela, Chair (Univ. Coimbra, Portugal)
  • ● Alckmar Luiz dos Santos (Federal Univ. Santa Catarina, Brazil)
  • ● Alexandra Saemmer (Univ. Paris 8, France)
  • ● Claudia Kozak (Univ. Buenos Aires, Argentina)
  • ● Daniela Côrtes Maduro (Bremen, Germany)
  • ● Davin Heckman (Winona State Univ., USA)
  • ● Domingo Sánchez-Mesa Martínez (Univ. Granada, Spain)
  • ● Helen Burgess (North Carolina State University)
  • ● Jill Walker Rettberg (Univ. Bergen, Norway)
  • ● Johannah Rodgers (New York City College of Technology)
  • ● Joseph Tabbi (Univ. of Illinois at Chicago, USA)
  • ● Joellyn Rock (University of Minnesota Duluth)
  • ● Jörgen Schäffer (Univ. Siegen, Germany)
  • ● Lisa Swanstrom (Florida Atlantic University)
  • ● Maria Engberg (Malmö University, Sweden)
  • ● María Goicoechea (Univ. Complutense Madrid, Spain)
  • ● Nick Montfort (Massachusetts Inst. Technology, USA)
  • ● Patsy Baudoin (Digital Humanities, Media and Film Studies, and Women’s & Gender Studies Librarian at MIT)
  • ● Pedro Reis (Univ. Fernando Pessoa, Portugal)
  • ● Piotr Marecki (Jagiellonian Univ. Kraków, Poland)
  • ● Raine Koskimaa (Univ. Jyvaskyla, Finland)
  • ● Rogério Barbosa da Silva (CEFET Minas Gerais, Brazil)
  • ● Sandy Baldwin (Rochester Inst. Technology, USA)
  • ● Scott Rettberg (Univ. Bergen, Norway)
  • Artistic Committee
  • Leonardo Flores, Chair (Univ. Puerto Rico, Mayagüez)
  • ● Alex Saum-Pascual (University of California, Berkeley, USA)
  • ● Anastasia Salter (University of Central Florida, USA)
  • ● André Rangel (Univ. Porto, Portugal)
  • ● Carolina Gainza (Universidad Diego Portales, Chile)
  • ● Chris Funkhouser (New Jersey Inst. Technology, USA)
  • ● Daniel Howe (City University’s School of Creative Media, Hong Kong)
  • ● Friedrich W. Block (Brückner-Kühner-Foundation; Kunsttempel Gallery, Germany)
  • ● Giovanna de Rosario (b. Italy; Univ. Barcelona, Spain)
  • ● Jason Nelson (b. USA; Griffith Univ., Australia)
  • ● Jerome Fletcher (Falmouth Univ., UK)
  • ● JR Carpenter (b. Canada; UK)
  • ● Judd Morrissey (Art Institute of Chicago, USA)
  • ● Kathi Inman Berens (Portland State University, USA)
  • ● Laura Borràs Castanyer (Univ. Barcelona, Spain)
  • ● Maria Mencia (Kingston University, UK)
  • ● Mariusz Pisarsky (Techsty, Poland)
  • ● Mark Sample (Davidson College, USA)
  • ● Monika Gorska Olesinska (University of Opole, Poland)
  • ● Philippe Bootz (Univ. Paris 8, France)
  • ● Reham Hosny (Minia University, Egypt)
  • ● Rui Torres (Univ. Fernando Pessoa, Porto)
  • ● Scott Weintraub (University of New Hampshire, USA)
  • ● Serge Bouchardon (Univ. Paris 8, France)
  • ● Stephanie Boluk (UC Davis, USA)
  • Curated Exhibitions
  • Dene Grigar, Chair (Washington State Univ. Vancouver, USA)
  • ● Affiliations - Curated by Álvaro Seiça and Daniela Côrtes Maduro
  • ● Communities - Curated by Bruno Ministro and Sandra Guerreiro Dias
  • ● Translations - Curated by Ana Marques da Silva and Diogo Marques
  • Keynote Speakers & Featured Artists Talks
  • Keynote speakers will offer provocative perspectives on electronic literature. Artists will also offer exciting and stimulating perspectives on electronic literature.
  • Setting
  • Porto (https://en.wikipedia.org/wiki/Porto), also known, in English, as Oporto, is the second-largest city in Portugal. Located along the Douro river estuary in Northern Portugal, Porto was proclaimed a World Heritage Site by UNESCO (1996). In 2014, Porto was elected The Best European Destination by the Best European Destinations Agency.
  • Transportation and Hotel
  • Located in northern Portugal, Porto (OPO) is easy to reach by land or air. Instructions will be available soon. A list of Hotels and Hostels will also be provided and accounted for. The Conference will be held at University Fernando Pessoa, and the Festival and Exhibits will be held in different venues in the center of Porto.
  • Venues
  • UFP (Universidade Fernando Pessoa) - http://www.ufp.pt
  • Culturgest - http://www.culturgest.pt/info/porto.html
  • Mosteiro de São Bento da Vitória - http://www.tnsj.pt/home/msbv/index.php?intID=7&intSubID=12
  • Palacete Viscondes de Balsemãohttp://visitasvirtuais.cm-porto.pt/pvb.php

CFP: International Conference on Digital Media and Textuality (5 July; 3-5 Nov 2016)

June 10, 2016 in Calls, Conference, ELO

CFP: International Conference on Digital Media and Textuality
3rd to 5th November 2016, Universität Bremen, Germany
Conference chair: Dr. Daniela Côrtes Maduro
Deadline for Submissions: 5 July 2016
Website: https://digmediatextuality.wordpress.com/

CONFIRMED KEYNOTE SPEAKERS

Carlos Reis, Director of the Centre for Portuguese Literature, University of Coimbra, Portugal
Dene Grigar, President of the Electronic Literature Organization, Washington State University Vancouver, USA
Joseph Tabbi, Electronic Book Review (EBR) Editor in Chief, University of Illinois at Chicago, USA
Manuel Portela, Director of the Materialities of Literature Program, University of Coimbra, Portugal
Maria Mencia, ELO Board of Directors, University of Kingston, United Kingdom
Scott Rettberg, ELMCIP project leader, University of Bergen, Norway

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ELO 2016 Begins!

June 10, 2016 in Calls, ELO

ELO2016 LogoELO 2016 at University of Victoria, Victoria, Canada
http://elo2016.com
#ELO16, #DHSI2016

Over 190 participants have arrived from around the world to Victoria, Canada for the 2016 international conference of the Electronic Literature Organization now underway,  the largest ELO conference to date.

This year, the conference runs between two weeks of the Digital Humanities Summer Institute (DHSI2016),  specifically its e-lit seminars.  Participants of DHSI are encouraged to join the conference for the weekend or with a special discounted day-pass.  This cohabitation of the events has led to one of the largest gatherings around electronic literature ever.

ELO 2016 offers a conference and a festival, featuring panels, workshops, artists talks, performancesscreenings, sound installations, and an exhibition.  The conference is also showcasing the winners of the 4Humanities “Shout Out for the Humanities” contest.

Participants will have the opportunity to interact with artists and scholars, and discuss ELO itself at our town hall event. Also, during Saturday night’s banquet, the 2016 ELO Prize will be awarded, with the N. Katherine Hayles award given to a scholarly work and the Robert Coover Award going to a creative work produced in the past 18 months.

If you cannot join us in person, join us online at the website, on Twitter, or on Facebook. You can also hear artifacts from previous ELO events on radioELO.  Whether here in Victoria or somewhere in cyberspace, you can feel the buzz of this weekend’s conference as literature becomes electrified.

4Humanities “Shout Out for the Humanities” Contest

February 4, 2016 in Awards, Calls, ELO

4Humanities
“Shout Out for the Humanities” Contest

info:http://4humanities.org/contest/

Your submission to this contest should answer such questions as: Why is studying the humanities–e.g., history, literature, languages, philosophy, art history, media history, and culture–important to you? To society? How would you convince your parents, an employer, a politician, or others that there is value in learning the humanities?

Who: Enter if you are an undergraduate or graduate student, an individual or team, from any nation.

What: Your submission will be judged by an international panel of distinguished judges for message, quality, and impact no matter your medium or format. Possible submissions include: essay (less than 2,000 words), video, digital work, poster, cartoon, song, art, short story, interview. See our Contest Kit for ideas, resources, and tools.

*Special note for digital artists: the contest encourages submissions in any format or medium, including digital or online ones.

Instructors and Educational Leaders: Want to organize a “creativity workshop” to incubate submissions by your students? See Workshops and Contest Kit for ideas. 4Humanities.org will create an online showcase specifically for your students’ work.

When: Submissions by March 1, 2016.

Prizes: Winners will receive the following awards, and will be published on the 4Humanities.org site:

  • Undergraduate Students: 1st US$1,000 — 2nd US$700 — 3rd US$300
  • Graduate Students: 1st US$1,000 — 2nd US$700 — 3rd US$300

- See more at: http://4humanities.org/contest/#sthash.IYRpaaid.dpuf

Call for Submission: 2016 ELO Prize (Feb 1-28, 2016)

January 19, 2016 in Awards, Calls, ELO

elo_logo

Call for the 2016 ELO Prize
(Feb 1-28, 2016 Submission Period)

See Full Details Here

The Electronic Literature Organization is proud to offer the following two prestigious awards, “The Robert Coover Award for a Work of Electronic Literature” and “The N. Katherine Hayles Award for Criticism of Electronic Literature.”

“The Robert Coover Award for a Work of Electronic Literature” is an award given for the best work of electronic literature of any length or genre. Bestowed by the Electronic Literature Organization and funded through a generous donation from supporters and members of the ELO, this annual prize aims to recognize creative excellence. The Prize for “1st Place” comes a $1000 award, with a plaque showing the name of the winner and an acknowledgement of the achievement, and a one-year membership in the Electronic Literature Organization at the Associate Level. One prize for “Honorary Mention” is awarded and consists of a plaque showing the name of the winner and an acknowledgement of the achievement, and a one-year membership in the Electronic Literature Organization at the Associate Level.

“The N. Katherine Hayles Award for Criticism of Electronic Literature” is an award given for the best work of criticism, of any length, on the topic of electronic literature. Bestowed by the Electronic Literature Organization and funded through a generous donation from N. Katherine Hayles and others, this annual prize recognizes excellence in the field. The Prize for “1st Place” comes a $1000 award, with a plaque showing the name of the winner and an acknowledgement of the achievement, and a one-year membership in the Electronic Literature Organization at the Associate Level. One prize for “Honorary Mention” is awarded and consists of a plaque showing the name of the winner and an acknowledgement of the achievement, and a one-year membership in the Electronic Literature Organization at the Associate Level

Deadlines

Nomination Submissions Period:  February 1-February 28, 2016
Jury Deliberations:  February 29-April 15, 2016
Award Announcement:  ELO Conference Banquet, Victoria, B.C., June 11, 2016

For more information about the Coover Award, contact Maria Mencia, Co-Chair, The Electronic Literature Organization 2016 International Prize, mariamencia2@gmail.com; for more information about the Hayles Award, contact Rob Wittig, Co-Chair, The Electronic Literature Organization 2016 International Prize, wit@robwit.net.

CFP: ELO 2016: Next Horizons (11/15/15; 6/10-12/16) Victoria, B.C.

October 12, 2015 in Calls, Conference, ELO

Next Horizons: ELO 2016


10-12 June 2016
University of Victoria, Victoria, B.C.
Deadline for Scholarly Activities & Media Art Festival Works: November 15, 2015
Click here for the Submissions Form

At the annual conference held in Bergen, Norway in August 2015, ELO explored “the end(s) of electronic literature,” construed broadly as the contours, edges, and boundaries of the field and practice. This year the ELO 2016 Conference & Media Art Festival asks now, What’s next? What investigations, interventions, and creations lie beyond the horizons of born digital writing?

“Next Horizons,” the ELO 2016 Conference & Media Art Festival, looks to answer these questions with the intentional connection, integration, and expansion of electronic literature into the Digital Humanities through a partnership between the Electronic Literature Organization and the Digital Humanities Summer Institute (DHSI). ELO 2016 takes place at the University of Victoria, in Victoria, B.C. where over 750 scholars convene each year at DHSI to learn and expand their knowledge of DH tools, methods, and criticism. Taking place from 10-12 June and co-chaired by Drs. Dene Grigar and Ray Siemens, ELO 2016 will feature critical papers and artistic works of electronic literature. Additionally, because collocating the conference and art festival within DHSI presents the unique opportunity for collaborations between the two communities that may result in new knowledge about electronic literature and DH, it also offers opportunities––new formats and approaches to the conference––that take advantage of this affordance.

Opportunities for Participation

ELO 2016 emphasizes both scholarship and creative activities. All events will be peer-reviewed and juried by scholars and artists with expertise in the specific area reflected in the topic or method. Comments will be sent to all who submit a proposal or work. For more information, contact Dene Grigar, President, ELO, dgrigar@mac.com.
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ELO Prize 2015

April 19, 2015 in Calls, ELO, Press Release

The 2015 ELO Annual Prize

http://elo-prize.nimbus.digital/
S
ubmission Deadline May 5

The ELO is proud to announce the 2015 “N. Katherine Hayles Award for Criticism of Electronic Literature” and the “Robert Coover Award for a Work of Electronic Literature.” Introduced in 2014, these awards honor the best works of art and scholarship in the field of electronic literature.  The 1st place winner is awarded $1000, a plaque, and a one-year membership to the ELO.  One prize for Honorable Mention will be awarded and consists of a plaque and one-year membership in ELO. Guidelines for submissions can be found on the announcement page for each award.

“The Robert Coover Award
for a Work of Electronic Literature”

“The Robert Coover Award for a Work of Electronic Literature” is an award given for the best work of electronic literature. Bestowed by the Electronic Literature Organization and funded through a generous donation from supporters and members of ELO, this annual prize aims to recognize creative excellence. The prize for “1st Place” comes a $1000 award, a plaque showing the name of the winner and the acknowledgement of the achievement, and a one-year membership in the Electronic Literature Organization at the Associate Level. One prize for “Honorary Mention” is awarded and consists of a plaque showing the name of the winner and an acknowledgement of the achievement and a one-year membership in the Electronic Literature Organization at the Associate Level. The Guidelines and Online Submission Form for this award are found here.  Submissions open on April 5, 2015.

 

“The N. Katherine Hayles Award
for Criticism of Electronic Literature”

The N. Katherine Hayles Award for Criticism of Electronic Literature” is an award given for the best work of criticism, of any length, on the topic of electronic literature. Bestowed by the Electronic Literature Organization and funded through a generous donation from N. Katherine Hayles and others, this annual prize recognizes excellence in the field. The prize for “1st Place” comes a $1000 award, a plaque showing the name of the winner and the acknowledgement of the achievement, and a one-year membership in the Electronic Literature Organization at the Associate Level. One prize for “Honorary Mention” is awarded and consists of a plaque showing the name of the winner and the acknowledgement of the achievement, and a one-year membership in the Electronic Literature Organization at the Associate Level The Guidelines and Online Submission Form for this award are found here. Submissions open on April 5, 2015.

 

Deadlines

Nomination Submissions:  April 5-May 5, 2015
Jury Deliberations:  May 15-July 15, 2015
Award Announcement:  ELO Conference Banquet, Bergen, Norway, August 6, 2015

For more information, contact Dr. Dene Grigar, President, Electronic Literature Organization, dgrigar@mac.com.

CFP: Reading Wide, Writing Wide in the Digital Age: Perspectives on Translitatures

February 16, 2015 in Calls, Conference, ELO

Please see this call from the LEETHY Group in Madrid!

Call for papers:
Reading wide, writing wide in the Digital Age: perspectives on transliteratures
Complutense University of Madrid
22nd -23rd October 2015
Organizer: LEETHY Group

The launching of Google Books and of Google Earth in 2004 could be considered a symbolical landmark in the configuration of memories and localization in space, a kind of milestone. Is there a time before and a time after 2004? Should we be getting ready for a change in literary reading and writing? Certainly, these days, we are witnessing an unprecedented acceleration of the circulation of products and materials, of people, texts and memories, while the national and global imaginaries coexist, fight and produce literatures. Commonplaces are repeated about contemporary literatures, new readers, globalization, the Internet etc., but, in fact, we do not find enough contrasted experiences and studies that support many of these assertions.

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CFP: MLA E-Lit Reading (11/28; 1/9/15)

November 19, 2014 in Calls, Conference, ELO

E-Lit@Vancouver

Start 2015 with Electronic Literature! The Electronic Literature Organization seeks proposals for the E-Lit@Vancouver reading,  to be held 8pm, Friday, January 9, at the Rickshaw Theatre (254 E Hastings St). The reading is organized by ELO President Dene Grigar and ELO co-Vice President Sandy Baldwin. The event is free and open to the public, and is scheduled to take place during the 2015 Modern Language Association (readers are not required to attend the conference or be members of MLA, though they are required to be physically present at the reading).
Participations in the reading is open to any member of the ELO ( see http://eliterature.org​ for more information). We seek readings and performances that celebrate electronic literature in all its forms. To be considered, send a 300 word proposal, including technical requirements, and a brief biography to Sandy Baldwin at sbaldwin66 at gmail dotcom. Deadline: November 28. All submissions will be read and peer reviewed. Decisions will be announced by December 5.

ELO-DHSI Summer Courses (June 2015)

September 26, 2014 in Calls, Conference, ELO, Press Release

ELO-DHSI Summer Courses (6/1-5; 6/8-12; 6/15-19 2015)

We are pleased to announce that the Electronic Literature Organization (ELO) will be partnering with the Digital Humanities Summer Institute (DHSI) to offer opportunities for members to participate in the series of DH courses at the University of Victoria that takes place from June 1st-5th 2015, June 8th-12th 2015, and June 15th-19th 2015.

Registration for DHSI is now open. This year will see an expansion from the regular one-week Institute to three weeks of courses, in part to support those enrolled in the Graduate Certificate in Digital Humanities at U Victoria. Participants may choose to attend one, two, or all three week-long workshops. In 2015, 40 courses ranging from old favourites to exciting first-time ventures will be offered. Each week of DHSI will include a week-long training workshop, and the core week (June 8th-12th) will also include morning colloquia, lunchtime unconferences, and Birds-of-a-Feather sessions. Throughout the institute, keynote lectures will be given by Malte Rehbein (U Passau), David Hoover (NYU), Claire Warwick (UC London), and Constance Crompton (UBC Okanagan).

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