Culture Machine 5

The latest issue of the e-journal, Culture Machine, features articles written by N. Katherine Hayles, Mark Amerika, Ted Striphas, Andy Miah, Gary Hall, Alan Clinton, Charlie Gere, Anna Munster, Cathryn Vasseleu, Chris Chesher, Gregory L. Ulmer, and Bernard Stiegler. Culture Machine accepts submissions written about any facet of culture and theory.

Culture Machine is accepting contributions for its February 2004 issue, Culture Machine 6: Deconstruction is/in Cultural Studies. The contributions may address any aspect of cultural studies in relation to deconstruction, or between “old” and “new” cultural studies. The deadline for submissions is October 2003. For more information, visit the Culture Machine website.

Writing Machines Web Supplement now online

Writing Machines, written by N. Katherine Hayles, and designed by Anne Burdick, is the latest in the Mediawork Pamphlet series. Writing Machines has already been hailed for its exploration of how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts.

The Supplement includes an interactive lexicon linkmap, index, bibliography, notes, and errata, and offers alternative mappings of the book’s conceptual terrain with functionalities unavailable in print. Completing the cycle of remediation, the Supplement gives the user the ability to customize his or her own copy of the book by providing Adobe Acrobat .pdf files for each section, some of which are formatted in “printer’s spreads” that can be printed out, folded, and inserted into the body of the book itself. The site also includes information on ordering the book and a comprehensive interview with the author and designer.

Electronic Poetry Event

Stephanie Stickland will read from V at the UCLA Hammer Museum on Tuesday, February 4 at 7 pm.

The Hammer Museum is in Westwood, at the northeast corner of Westwood Boulevard and Wilshire Boulevard. There is parking underneath the Museum, with an entrance off Westood, for a flat rate of $3. There is no admission charge for the reading, which is in Gallery VI.

ELO Elects New President and Secretary

In last week’s Board meeting Jeff Ballowe, who has served as ELO’s Board of Directors President since the beginning of the organization, passed the baton to Marjorie Luesebrink, who will begin her role as President on January 1. Board member Rob Swigart will become the new ELO Secretary.

The Board expressed a deep appreciation for Jeff’s dedication, guidance, and foresight throughout his service as President. Marjorie Luesebrink writes: “Jeff’s talent and inspiration have guided our organization from the first glimmerings and will continue to inform our direction and success. Jeff was central to the initial process of incubating, defining, and forming the original ELO….. He brought the dreams we had for ELO into realization. …Jeff has been a trusted navigator through the changes. At each turning point, Jeff has helped us re-shape our ability to thrive and keep our goals clear.

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ELO Site Redesign

ELO is in the process of updating its web presence. UCLA undergraduate artist and designer Gabe Dunne is developing the new site, which will launch soon after the new year.

The ELO website, the PAD (Preservation, Archiving, and Dissemination) webpages, and the ELO Directory will all participate in this Re-Launch. So, look for our new interface and information in the upcoming months!

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ELO’s PAD Members Meet in Santa Fe

ELO’s PAD (Preservation, Archiving, Dissemination) Project is off and running! Members of the PAD committees met in Santa Fe over the weekend to discuss the project and its range, planned future steps and shared information.

In attendence were Jeff Ballowe (Chair of the Operations Committee), Scott Rettberg (Chair of the Archiving/Exhibition Committee), Marjorie Luesebrink (Archiving/Exhibition Committee), Howard Besser (Archiving/Exhibition Committee), Alan Divack (Archiving/Exhibition Committee), Alan Liu (Chair of the Technology/Software Design Committee), Nick Montfort (Technology/Software Design Committee), Bill Warner (Chair of the Copyright/Open Source Committee), Rob Swigart (Copyright/Open Source Committee), Rob Kendall (Director of the ELO Directory), Melissa Stevenson, and Jessica Pressman. Matt Kirschenbaum (Chair of Academic Dissemination Committee) phoned in to participate.

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Review of Stephanie Strickland’s V in Publisher’s Weekly

The following is a quote from a review in Publisher’s Weekly:

“If Brian Kim Stefans’s The Dreamlife of Letters (2000)-a gorgeous send-up of Freud, lettrism and contemporary gender-bending-was the first large-scale poem using the internet animator Flash, then this book by Strickland continues to blaze trails of possibility in a new poetic medium. By putting the soul of this book solely online, Strickland reaches beyond True North (1997), which was developed in both print and hypertext versions, and seeks to fully bridge the gap between print and electronic media. The work’s bound component consists of two sections, “WaveSon.nets” and “Losing L’Una,” printed reversibly (so that either section can be seen as beginning the book, and neither ends it) with a centerfold directing readers to a third, free, interactive section at The printed poems encompass a broad range of thematic concerns-including virginity, body, circuitry, waveforms, wormholes, engineering, parturition, mythology, fractals and witchcraft: “This is hallucinated hearing/ in the service of art, of Arthur’s table,// R2, Artemis,/ and Ursa guarding the Pole./ Welcome, then, Presence, Reflection, Shadow,/ Refraction, She Who Stands,// Gnova, Gnomon, Goose, Ouzel, Orca, Longdark,/ Hardware, Software, Wetware, a Dolphin/ leaping, responding/ to the bare boy on her back.” And as in previous work, Strickland engages with a wealth of scientific, historical and biographical source material, particularly regarding the life and thought of Simone Weil (also the subject of Strickland’s The Red Virgin, 1993). But the point here is the endless combinations created by clicking variously on the Web site’s screen filled with gently twinkling stars, which sets off a process of selection, combination, dissolve, and recombination among lines, phrases and sources in the printed text. Strickland’s interrogation of structure finally outshines her content, but readers will sense that she is also creating space for future work, both by herself and by others, bringing intelligence and legitimacy to a new form.”

Changes on the ELO Board of Directors

During its meeting on Thursday, April 11th, 2002, the Board of Directors of the Electronic Literature Organization accepted the resignations of Peter Bernstein, Cathy Marshall, Krish Menon, and Larry Wangberg from the board and accepted the nominations of Alan Liu, Scott Rettberg and Bill Seaman to the board.

Peter Bernstein’s fellow board members commended him for his service to the ELO as a founding member of the board of directors and as Treasurer of the organization during a time of difficult fiscal challenges. Cathy Marshall was commended for her service to the ELO as a founding board member and as Secretary, assuring that accurate records were kept and that all of our filings got in on time. Larry Wangberg was commended for making a generous donation at a crucial time, and for opening up connections between the ELO and the media.

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Coverage of the State of the Arts Symposium in the LA Times

This Sunday’s Living section of the Los Angeles Times featured an article about the recent 2002 ELO State of the Arts Symposium at UCLA. Aside from a couple of factual inaccuracies (while the mention of Michael Joyce’s Aftermath brought a smile to some of our faces, the actual title of Eastgate’s classic hypertext is afternoon: a story) the article is a fine bit of journalism that captures the spirit of what many are already calling the most important gathering in the history of the nascent field of electronic literature. (Abstract available, article can be purchased for $2.95)
[Link updated April 2005; the article was removed from the Web]

State of the Arts Symposium a Success

The ELO Symposium was a huge success. Three nights of hypermedia readings by new and established artists and two full days of panel discussions by speakers from multi-disciplinary experiences and perspectives. 150 people from all over the world attended the event, proving that this type of Symposium is vitally important to the field and the future of electronic literature.

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