New Special Issue of Hyperrhiz Spotlights Netprov

hyperrhiz cover

Announcing the publication of Hyperrhiz: New Media Cultures, issue 11, guest edited by Mark C. Marino and Rob Wittig, putting the spotlight on netprov.  “Netprov” is a term Wittig coined for “networked improv narratives,” and many of the works and essays in the new issue reflect on and develop the meaning of that term.

The issue includes critical essays by Kathi Inman Berens, Lauren Burr, Leonardo Flores, Davin Heckman, and Peggy Weil and includes an hour-long compilation of interviews  with an international array of creators of electronic literature, conducted by Talan Memmott.

Along with Twitter-based netprovs, the issue also features creative works, including bot poetry authors, netprovs, to ARGs, to interactive fiction, to electronic poetry. Artists include Jean-Pierre Balpe, Mez Breeze, Deena Larsen & Maje Larsen, Peter McDonald and Patrick Jagoda, Reed Gaines and Arianna Gass, and Glen Gatin along with Wittig and Marino.

The issue also features a review of Richard Rinehart and John Ippolito’s Re-Collection by Eddie Lohmeyer and Lori Emerson’s Reading Writing Interfaces by Kathi Inman Berens.

Hyperrhiz: New Media Cultures, the peer-reviewed sister journal of Rhizomes: Cultural Studies in Emerging Knowledge, is published twice-yearly.  Hyperrhiz:  provides a forum for experimental new media projects (both critical and creative) located outside or across current disciplinary boundaries. Its editor is Helen J. Burgess of North Carolina State University.

For more about Hyperrhiz, go here:

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CFP: Reading Wide, Writing Wide in the Digital Age: Perspectives on Translitatures

Please see this call from the LEETHY Group in Madrid!

Call for papers:
Reading wide, writing wide in the Digital Age: perspectives on transliteratures
Complutense University of Madrid
22nd -23rd October 2015
Organizer: LEETHY Group

The launching of Google Books and of Google Earth in 2004 could be considered a symbolical landmark in the configuration of memories and localization in space, a kind of milestone. Is there a time before and a time after 2004? Should we be getting ready for a change in literary reading and writing? Certainly, these days, we are witnessing an unprecedented acceleration of the circulation of products and materials, of people, texts and memories, while the national and global imaginaries coexist, fight and produce literatures. Commonplaces are repeated about contemporary literatures, new readers, globalization, the Internet etc., but, in fact, we do not find enough contrasted experiences and studies that support many of these assertions.

Read more CFP: Reading Wide, Writing Wide in the Digital Age: Perspectives on Translitatures