CFP: ELO 2019 Conference & Media Arts Festival (7/14-16/19; 12/21/18)

ELO 2019 Conference and Media Arts Festival
Peripheries
Cork, Ireland
July 14-16, 2019 (Due: Dec 21, 2018)
Proposals are now being accepted for presentations and exhibition pieces at the annual Electronic Literature Organization Conference and Media Arts Festival, to be held July 15-17, 2019 at University College Cork, Ireland. Electronic literature, or e-lit, refers to literary works wherein computation forms some essential part of the aesthetic. #ELO19 offers an opportunity to share research and creative contributions within an engaging, collegial atmosphere comprising e-lit scholars and practitioners from across the globe.

 

The theme for this year’s ELO gathering is “peripheries”: delegates are invited to explore the edges of literary and digital culture, including emerging traditions, indeterminate structures and processes, fringe communities of praxis, effaced forms and genres, marginalised bodies, and perceptual failings.

#ELO19 will mark the first time that the ELO conference has been hosted by an Irish institution: join us for this momentous gathering!

For more, see:
http://elo2019.ucc.ie/cfp/

Event Highlights Indigenious Storytelling and New Media

2018 Conference Logo

http://bit.ly/indigenouselit
August 14, 2018 UQAM

For Immediate Release

Montreal, Aug 13, 2018 – Indigenous storytelling and experimental new media will take center stage at this year’s conference of the Electronic Literature Organization in Montreal when Jason Edward Lewis and Skawennati present the opening keynote “Mod Cyberspace, Mod the World!” on Tuesday at 11:30am at L’Université du Québec à Montréal (UQAM). Skawennati and Lewis ask what does indegnous new media storytelling look like?

Skawennati and Jason Edward Lewis present their experience as co-directors of the Skins workshops on Aboriginal Storytelling and Digital Media, through which Indigenous youth across Turtle Island have been taught how to make both video games and machinima. Skawennati will explain how and why she adopted the internet as her homebase, touching upon early projects such as CyberPowWow and Imagining Indians in the 25th Century and showing excerpts from TimeTraveller™ and She Falls For Ages.

“The work we have been doing over the last two decades has been aimed at diversifying the kinds of stories we tell, and how they are told,“ explained Lewis.

Skawennati asked, “When you think of an Aboriginal person, what do you see in your mind’s eye? A sepia-toned photograph of a dark-skinned man wearing feathers and buckskin, carrying a tomahawk? Or what about a vibrantly coloured video clip of a dark-skinned man wearing a Starfleet uniform and carrying a tricorder? What about a tan man jetpacking down the flyway, lit by brilliant billboards, seamless nd seemingly endless? Jason and I want to see what Native people look like in the future. We want to visualize it so that, together, with other artists, with youth, and with you, we can make it real.”

With Cherokee, Hawaiian, and Samoan heritage,, Lewis is the Concordia University Research Chair in Computational Media and the Indigenous Future Imaginary as well as Professor of Computation Arts at Concordia University, Montreal. Born in Kahnawake Mohawk Territory, Skawennati is a new media artist. Lewis and Skawennati coordinate Aboriginal Territories in Cyberspace (AbTeC) (http://www.abtec.org/), a research network of artists, academics and technologists investigating, creating and critiquing Indigenous virtual environments.

Lewis asked, “What does it mean to be Onkwehonwe? What does it mean to be kanaka maoli? What does it mean to be a Real Human Being? That is the questions we are asking. What did it mean to our ancestors? What does it mean to us today? What stories are we writing now that will still be told seven generations hence? We are writing the stories now that will define ourselves in the future.”

The conference Attention à la marche / Mind the Gap, this bilingual event will focus on the unique dynamics of electronic literature research in Quebec with an eye toward innovations from around the world.

The Canada Research Chair in Digital Arts and Literature, NT2, Laboratoire de recherche sur les oeuvres hypermédiatiques, the Electronic Literature Organization (ELO) and the Consulate General of France welcome more than 300 digital artists and researchers from some thirty countries at the Université du Québec à Montréal campus from August 13 to 17, 2018.

The conference has three components: an academic conference, an exhibition and a festival. The exhibition will be presented at the Centre de design of UQAM and includes 56 works of digital art by local and international artists. During the festival, 15 artists will offer multimedia performances in three Montreal cultural halls: the Eastern Bloc artists’ centre, Concordia University’s Black Box exhibition hall; and the Écomusée du fier monde.

The Electronic Literature Organization, or ELO, is A 501(c)(3) non­profit organization composed of an international community that includes writers, artists, teachers, scholars, and developers. The Organization’s focus is new literary forms that are made to be read on digital systems, including smartphones, Web browsers, and networked computers. ELO is an international organization of artists and scholars, currently based at Washington State University-Vancouver.

The event is August 14th L’Université du Québec à Montréal (UQAM) at 11:30-12:30 in Pavillon J.-A. DeSève room DS-R510.

For more information or to make a reservation please contact:

Skawennati:
skawennati@gmail.com

Jason Lewis
jason.lewis@concordia.ca

ARIANE SAVOIE
(514) 947-6763

elo2018mtl@gmail.com       http://nt2.uqam.ca/       https://eliterature.org/

ELO 2018: Attention à la marche / Mind the Gap

ELO 2018:
Attention à la marche / Mind the Gap
Literature meets digital culture in Montreal2018 Conference Logohttps://sites.grenadine.uqam.ca/sites/nt2/en/elo2018
August 13-17, 2018

For Immediae Release

Montreal, Aug 3, 2018 – For the first time, Montreal is hosting the Electronic Literature Organizations Conference. With this year’s theme Attention à la marche / Mind the Gap, this bilingual event will focus on the unique dynamics of electronic literature research in Quebec with an eye toward innovations from around the world.

The Canada Research Chair in Digital Arts and Literature, NT2, Laboratoire de recherche sur les oeuvres hypermédiatiques, the Electronic Literature Organization (ELO) and the Consulate General of France welcome more than 300 digital artists and researchers from some thirty countries at the Université du Québec à Montréal campus from August 13 to 17, 2018.

The conference has three components: an academic conference, an exhibition and a festival. The exhibition will be presented at the Centre de design of UQAM and includes 56 works of digital art by local and international artists. During the festival, 15 artists will offer multimedia performances in three Montreal cultural halls: the Eastern Bloc artists’ centre, Concordia University’s Black Box exhibition hall; and the Écomusée du fier monde.

For the occasion, Productions Rhizome from Québec City present the installation Choeur(s), while Brazilian artist Eduardo Kac will unveil his latest work, The Inner Telescope, produced in collaboration with French astronaut Thomas Pesquet aboard the International Space Station.

The opening reception of the conference will take place on August 13th, starting at 6pm, at the Centre de Design. For more details, see the website.

Academic conference: pre-registration required
Exhibition and festival: open to the public
Opening reception: by reservation

For more information or to make a reservation please contact:

ARIANE SAVOIE

elo2018mtl@gmail.com       http://nt2.uqam.ca/       https://eliterature.org/

MLA 2017 Readings & Performances

Join the Electronic Literature Organization for an evening of readings & performances during the Modern Language Association conference in Philadelphia, PA. The event takes place in the Connelly Auditorium (room 806) in the Terra Building at The University of the Arts, on January 5, 2017, from 8-10 p.m.

Dene Grigar and Jennifer Zaylea, Emcees

Performers and Works:

Sandy Baldwin & Gabriel Tremblay-Gaudette, “Poems you should know”

Daniel Anderson, “A Blessing” and “The Red Wheelbarrow”

Kathi Inman Berens, “Abaya”

Helen Burgess, “Anna, Autopoietic”

Caitlin Fisher, “Pareidolia: the Doll Universe”

Riham Hosny, “Salome,” by Mohamed Abdelghani (Yuzerssif)

Anastasia Salter and Bridget Blodgett, “Alt-Right: Ctrl+A; Del”

Liz Losh, “While Chopping Red Peppers” and “The Last Day of Betty Nkomo”

Laura Zaylea,  ”Closer than Rust”

The ELO would like to thank our hosts at The University of the Arts, and in particular Jennifer Zaylea for organizing this event.

UArtsLogo_color_side

 

CFP ELO 17 (Dec 5; July 19-22, 2017)

ELO’17

Electronic Literature > Affiliations, Communities, Translations

Hosted by UFP – University Fernando Pessoa, Porto, Portugal, July 19 – 22, 2017

http://conference.eliterature.org

Call For Papers & Works

The ELO (Electronic Literature Organization) is pleased to announce its 2017 Conference and Festival, to be held from July 19-22. The Conference is hosted by University Fernando Pessoa, Porto, and the Festival and Exhibits will be held in the center of the historic city of Porto, Portugal.

Titled «Electronic Literature: Affiliations, Communities, Translations», the Conference and Festival welcome dialogues and untold histories of electronic literature, providing a space for discussion about what exchanges, negotiations, and movements we can track in the field of electronic literature. These three threads will weave through the conference, structuring dialogue, debate, performances, presentations, and exhibits. The threads are meant as provocations, enabling constraints, and aim at forming a diagram of electronic literature today and expanding awareness of the history and diversity of the field.

The goal of this International Conference is to contribute to displacing and re-situating accepted views and histories of electronic literature, in order to construct a larger and more expansive field, to map discontinuous textual relations across histories and forms, and to create productive and poetic apparatuses from unexpected combinations. Each of the three strands – Affiliations, Communities, Translations – is described in detail below. Participants can apply to the Conference and Festival by locating their work within a strand. In all cases, we are open to experimental proposals that integrate theory and practice, and proposals that challenge presentation formats.

Read more CFP ELO 17 (Dec 5; July 19-22, 2017)

CFP: International Conference on Digital Media and Textuality (5 July; 3-5 Nov 2016)

CFP: International Conference on Digital Media and Textuality
3rd to 5th November 2016, Universität Bremen, Germany
Conference chair: Dr. Daniela Côrtes Maduro
Deadline for Submissions: 5 July 2016
Website: https://digmediatextuality.wordpress.com/

CONFIRMED KEYNOTE SPEAKERS

Carlos Reis, Director of the Centre for Portuguese Literature, University of Coimbra, Portugal
Dene Grigar, President of the Electronic Literature Organization, Washington State University Vancouver, USA
Joseph Tabbi, Electronic Book Review (EBR) Editor in Chief, University of Illinois at Chicago, USA
Manuel Portela, Director of the Materialities of Literature Program, University of Coimbra, Portugal
Maria Mencia, ELO Board of Directors, University of Kingston, United Kingdom
Scott Rettberg, ELMCIP project leader, University of Bergen, Norway

Read more CFP: International Conference on Digital Media and Textuality (5 July; 3-5 Nov 2016)

CFP: ELO 2016: Next Horizons (11/15/15; 6/10-12/16) Victoria, B.C.

Next Horizons: ELO 2016


10-12 June 2016
University of Victoria, Victoria, B.C.
Deadline for Scholarly Activities & Media Art Festival Works: November 15, 2015
Click here for the Submissions Form

At the annual conference held in Bergen, Norway in August 2015, ELO explored “the end(s) of electronic literature,” construed broadly as the contours, edges, and boundaries of the field and practice. This year the ELO 2016 Conference & Media Art Festival asks now, What’s next? What investigations, interventions, and creations lie beyond the horizons of born digital writing?

“Next Horizons,” the ELO 2016 Conference & Media Art Festival, looks to answer these questions with the intentional connection, integration, and expansion of electronic literature into the Digital Humanities through a partnership between the Electronic Literature Organization and the Digital Humanities Summer Institute (DHSI). ELO 2016 takes place at the University of Victoria, in Victoria, B.C. where over 750 scholars convene each year at DHSI to learn and expand their knowledge of DH tools, methods, and criticism. Taking place from 10-12 June and co-chaired by Drs. Dene Grigar and Ray Siemens, ELO 2016 will feature critical papers and artistic works of electronic literature. Additionally, because collocating the conference and art festival within DHSI presents the unique opportunity for collaborations between the two communities that may result in new knowledge about electronic literature and DH, it also offers opportunities––new formats and approaches to the conference––that take advantage of this affordance.

Opportunities for Participation

ELO 2016 emphasizes both scholarship and creative activities. All events will be peer-reviewed and juried by scholars and artists with expertise in the specific area reflected in the topic or method. Comments will be sent to all who submit a proposal or work. For more information, contact Dene Grigar, President, ELO, dgrigar@mac.com.
Read more CFP: ELO 2016: Next Horizons (11/15/15; 6/10-12/16) Victoria, B.C.

ELO Holds Epic Conference in Bergen

Artist Judd Morrissey’s augmented reality performance Saturday concluded a week-long conference in Norway, ELO’s second international conference held outside the United States.  Running August 4 through 7, with pre-conference workshops days before and Saturday’s poetry performance after, the ELO 2015: The End(s) of Electronic Literature was one of the largest ever with 194 attendees from around the world.

Hosted at the University of Bergen (UiB), the conference spanned six venues, featuring panel presentations, performances, and five gallery exhibitions.  The group of international artists and scholars gathered to discuss the state of the art of electronic literature and to imagine what comes next. The complete schedule is online here.  (Also, see the ELO 2015 Facebook group).

The program coordinator for the conference was Jill Walker Rettberg, Professor of Digital Culture at the University of Bergen and the program coordinator for ELO2015, and the conference chair was ELO co-founder Scott Rettberg,  also a professor of digital culture at UiB. Roderick Coover, Director of the MFA Program in Film and Media Arts at Temple University, was the conference’s Artistic Chair.

In five exhibitions included:

  • The Ends of the Electronic Literature: Festival Exhibition (University Library from 8/4 to 8/28)
  • Kid E-Lit: Electronic literature for children and adolescents (Bergen Public Library 8/4 to 9/30)
  • Hybrid interface, digital stories (Lydgalleriet 8/4-22)
  • Decentered: an exhibition of global electronic literature (Stiftelsen 3,14; 8/4-23)
  • Interventions: an exhibition of political electronic literature (USF 8/4 to 7)

More information about exhibitions and other open events: http://www.uib.no/nb/fg/elektronisklitteratur/90342/en-festival-elektronisk-litteratur-elo2015

At the end of the conference, two major prizes were awarded: N. Katherine Hayles Award for Criticism of Electronic Literature, which was awarded to Sandy Baldwin for his book The Internet Unconscious, and the Robert Coover Prize, which was awarded to Samantha Gorman and Robert Coover for their interactive novella app Pry.

The next ELO Conference will be held in 2016 at the University of Victoria.

More details about the conference, including photos and videos, and details will follow. Congratulations and thanks to all who participated and made this possible.

 

CFP: Reading Wide, Writing Wide in the Digital Age: Perspectives on Translitatures

Please see this call from the LEETHY Group in Madrid!

Call for papers:
Reading wide, writing wide in the Digital Age: perspectives on transliteratures
Complutense University of Madrid
22nd -23rd October 2015
Organizer: LEETHY Group

The launching of Google Books and of Google Earth in 2004 could be considered a symbolical landmark in the configuration of memories and localization in space, a kind of milestone. Is there a time before and a time after 2004? Should we be getting ready for a change in literary reading and writing? Certainly, these days, we are witnessing an unprecedented acceleration of the circulation of products and materials, of people, texts and memories, while the national and global imaginaries coexist, fight and produce literatures. Commonplaces are repeated about contemporary literatures, new readers, globalization, the Internet etc., but, in fact, we do not find enough contrasted experiences and studies that support many of these assertions.

Read more CFP: Reading Wide, Writing Wide in the Digital Age: Perspectives on Translitatures

CFP: MLA E-Lit Reading (11/28; 1/9/15)

E-Lit@Vancouver

Start 2015 with Electronic Literature! The Electronic Literature Organization seeks proposals for the E-Lit@Vancouver reading,  to be held 8pm, Friday, January 9, at the Rickshaw Theatre (254 E Hastings St). The reading is organized by ELO President Dene Grigar and ELO co-Vice President Sandy Baldwin. The event is free and open to the public, and is scheduled to take place during the 2015 Modern Language Association (readers are not required to attend the conference or be members of MLA, though they are required to be physically present at the reading).
Participations in the reading is open to any member of the ELO ( see http://eliterature.org​ for more information). We seek readings and performances that celebrate electronic literature in all its forms. To be considered, send a 300 word proposal, including technical requirements, and a brief biography to Sandy Baldwin at sbaldwin66 at gmail dotcom. Deadline: November 28. All submissions will be read and peer reviewed. Decisions will be announced by December 5.