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ELO Announces Recipients of Emerging Spaces for E-Lit Creations

The ELO Board of Directors is pleased to announce that it is funding two proposals for its 2020 Emerging Spaces for E-Lit Creations initiative. The two winning proposals are Filter by Sarah Whitcomb Laiola and Caleb Andrew Milligan and (RE)VERB by John Barber, Andrew Demirjian, Dahlia Elsayed, Jeremy Hight, and Henna Wang.

With this initiative, the Board seeks to encourage the creation of new spaces (zines) that curate, promote, and explore a greatly expanded set of works on social media and mobile platforms. Its goal is to stimulate and support the creation and dissemination of quality electronic literature in a greater variety of spaces with zines that reach and cultivate new audiences.

The Board is grateful for all the teams that submitted proposals and encourages those who were not funded to consider applying to future ELO initiatives.

Here are some details on the two awarded proposals.

Filter

An Instagram Collaboratory for E-Lit

Filter​ will be a critical-creative publication that welcomes a variety of works and materials to further the creation and circulation of e-lit both optimized for and disruptive of Instagram, as well as critical scholarly and pedagogical engagement with this developing genre. We embrace the creative and critical opportunities latent in specific features of Instagram; Stories, Boomerangs, Reposts, interactive stickers, 10-frame images posts, and short videos all offer opportunities to expand possibilities for e-literary creation and criticism.

Filter’s ​mission is to support the circulation and promotion of works of e-lit that are optimized for, engage with, and/or disrupt the poetics of that platform.

Filter’s senior editors, Sarah Whitcomb Laiola and Caleb Andrew Milligan, will be assembling an editorial team and an advisory board in preparation for launching the ‘zine.

(RE)VERB

an audio augmented reality zine dedicated to the interplay between sound, electronic literature, and the experience of environment

(RE)VERB is an audio augmented reality zine dedicated to spatially conceived electronic literature projects that explore the aesthetic possibilities of sonically delivered language engaging with the physical and corporeal experience of the environment. (RE)VERB will release two issues per year with the editorial board and guest curators selecting the most compelling pieces that engage global e-lit writers in this emerging medium. 

(RE)VERB will partner with Gesso, creators of an innovative mobile application that enables immersive location-based audio experiences to bring the peer reviewed creative visions of selected authors to life. The free Gesso app provides an interactive map with geographic coordinates, audio, images and video artwork. Readers, listeners, participants can engage with the contents either in situ or through recordings. 

The initial editorial board consists of artists and writers who work with language, mapping and space including John Barber, Andrew Demirjian, Dahlia Elsayed, Jeremy Hight and Henna Wang from Gesso.

Leonardo Flores, ELO President, had this to say about the initiative: “I’m so thrilled about these two proposals! Each ‘zine will focus on a different sense– sight and sound– and will create opportunities for people to publish quality electronic literature designed for three major platforms– Instagram, iOS, and Android– and will be able to cultivate audiences that have no idea what electronic literature is, but are creating it and consuming it. We have two great teams that will help us expand the field and learn valuable lessons from their experiences.”

ELO plans to award more grants to support e-lit publications in the coming years in fulfillment of its mission to support the development of digitally born literary works.

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ELC4 Collective adds Lyle Skains

We are pleased to announce that the editorial collective of the 4th volume of the Electronic Literature Collection is adding a new member, Lyle Skains.  Skains will be bringing a broad sense of the field, especially through her work with Wonderbox.  Lyle will be joining Kathi Inman Berens, John Murray, Rui Torres, and  Mia Zamora.  The team is currently reviewing the submissions for the forthcoming collection.
Lyle researches and teaches Creative Digital Writing and Science Communication, conducting practice-based research into writing, reading/playing, publishing digital and transmedia narratives, and how these can be used for health and science communication. Her recent digital fiction includes No World 4 Tomorrow for the You & CO2 project, and Only, Always, Never for the Infectious Storytelling project; both works were designed to effect social change. She is the founder of Wonderbox Digital, a marketplace for digital fiction, aiming to explore innovations in digital and online publishing and creativity. Her digital fiction can be found at lyleskains.com; articles in Convergence, Digital Creativity, and Computers and Composition; and books with Cambridge UP (Digital Authorship), forthcoming Emerald (interdisciplinary scicomm) and Bloomsbury (convergent evolution of mainstream digital fiction). She is currently a Senior Lecturer in Health and Science Communication at Bournemouth University.
ELO is grateful for her service in this key publication in our field.
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Announcing the 2020 ELO Fellows

ELO is pleased to announce the ELO Fellowship scheme into its second year, aiming to expand our scholarly activity, and our curatorial and creative practices with the appointment of seven graduate and early career fellows. In the spirit of protest, change, and justice, and in an attempt to further strengthen the Organization’s Equity, Diversity, and Inclusion framework, two of the fellows (one creative, one scholarly) were chosen for our new “Amplify Anti-Racism” scheme. 

Meredith Dabek (Ireland)
Malthe Stavning Erslev (Denmark)
Roberta Iadevaia (Italy)
Dani Spinosa (Canada)
Yohanna Joseph Waliya (Nigeria)
Margaret Rhee (AAR) (U.S.A.) – scholarly
Keith Wilson (AAR) (U.S.A) – creative

 The ELO Fellows are six graduate and early career Research Fellows for the academic year 2020/21, each of whom have been awarded a $500 stipend along with a one year ELO membership. Fellows help contribute to various ELO projects, including the Electronic Literature Directory and its alliances with partner organizations such as ELO. Each Fellow will be paired with a mentor.  “The Fellows program is critical to the sustained success and development of the ELO and its many projects, and it’s truly rewarding to be working with such a diverse and stellar group of scholars and artists, from so many regions around the world,” comments ELO Board Member Astrid Ensslin, who oversees the ELO Fellowship scheme.

 The AAR Fellows take two forms. The creative Fellowship is intended for a BIPOC (Black, Indigenous and Persons of Color) identifying a digital creator whose work should aspire to use digital media in e-literary ways, but there is no technical skill requirement to apply. The Fellows receive mentorship and support. The scholarly Fellow will be undertaking activities in support of developing the ELO’s racially/ethnically inclusive and activist policies and projects. These may include, for example, identifying e-literature initiatives and creative works by BIPOC within ELO existing databases, curating the collection of works and criticism by BIPOC and/or related to racial justice and anti-racism, developing racially and ethnically diverse and inclusive ontologies for the ELO’s databases, and/or supporting the design and development of e-lit works promoting racial justice and anti-racism.

“We are excited to have this excellent group joining in ELO’s efforts to promote scholarly and creative work in electronic literature while working to create an inclusive and welcoming community,” said President Leonardo Flores when the Fellows were announced during the 2020 conference, which was held online this summer.

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ELO Amplify Anti-Racism Fellowships (June 21)

In the spirit of protest, change, and justice, and in an attempt to further strengthen its EDI (Equity, Diversity, Inclusion) framework, the Electronic Literature Organization invites applications for two dedicated Fellowships aimed to Amplify Anti-Racism: a creative and a scholarly one.

In line with its other five 2020/21 Fellowships, the two AAR Fellowships will be a one-year opportunity for early career applicants with strong interests in the area of anti-racist electronic literature and/or digital arts.

The creative Fellowship is intended for a BIPOC (Black, Indigenous and Persons of Color) identifying digital creator whose work should aspire to use digital media in e-literary ways, but there is no technical skill requirement to apply. The successful applicant will receive mentorship and support. The scholarly Fellow will be undertaking activities in support of developing the ELO’s racially/ethnically inclusive and activist policies and projects. These may include, for example, identifying e-literature initiatives and creative works by BIPOC within ELO existing databases, curating the collection of works and criticism by BIPOC and/or related to racial justice and anti-racism, developing racially and ethnically diverse and inclusive ontologies for the ELO’s databases, and/or supporting the design and development of e-lit works promoting racial justice and anti-racism.

Both Fellowships will come with a $500 stipend and a one year ELO membership. The awardees will be announced during the virtual ELO conference in July.

One page letters of application, and short CV’s can be sent to the Fellowship committee chair, Astrid Ensslin (ensslin at ualberta.ca). Applicants for the creative Fellowship are further encouraged to include a portfolio link to samples of their work.

Deadline to apply: June 21st, 2020.

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Call for ELO Research Fellows 2020/21 (May 31)

Call for ELO Research Fellows 2020/21
Deadline: May 31st, 2020

The ELO is expanding its scholarly activity, creative, and curatorial practices with the appointment of six graduate and early career Research Fellows for the academic year 2020/21, each of whom will be awarded a $500 stipend along with a one year ELO membership. Awards will be announced during the virtual ELO conference in July. In the coming months, we’ll be welcoming applicants who will be working with established ELO scholars and practitioners on a variety of ELO projects, such as the Electronic Literature Directory (http://directory.eliterature.org), CELL (www.cellproject.net), The Digital Review (http://www.thedigitalreview.com), the electronic book review (https://electronicbookreview.com), and the ELO Repository (https://elo-repository.org).

One page letters of application, and short CV’s can be sent to the ELD project director, Astrid Ensslin (ensslin at ualberta.ca).

Deadline to apply: May 31st

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Announcement: ELO 2020: Moving Forward, Virtually

The ELOrlando leadership team has found ourselves, like many conferences, faced with rethinking our plans. We were thrilled to be hosting you here in Orlando this July, but in light of COVID-19 we have already received numerous cancellations and concerns from members of the community such as yourselves asking if the conference will be held.

Given the public health concerns and travel restrictions imposed by many universities, we are moving to a fully virtual event for this year. There are various models for this type of conference, but given our highly international community, our approach will combine synchronous and asynchronous events, with an emphasis on openness and access. What this means  is:

  • Plenaries: Keynotes and special events will still be held synchronously, as well as archived for subsequent viewing. Questions will be moderated, and participants will be encouraged to share their thoughts in the hashtag.

  • Conference Presentations: All other conference presenters will be asked to record their presentations in advance and submit them through the same conference interface, to be hosted in UCF’s institutional repository, and then hold conversation and/or promote their talks in the conference hashtag: #ELOrlando.

  • Conference Proceedings: As conference proceedings have already been submitted as full papers, no video is required: however, authors are welcome to submit a video talk to accompany their paper submission.

  • Exhibits and Performances: We will work with exhibitors and performers on the best way to share your work. This might include directly hosting your piece for access by the public, or including documentation via video.

While this change was unexpected, and we regret the loss of both the opportunity to connect with you here in Orlando and to share your work through public events with our community, we hope to view this as an opportunity to innovate. Given that, there is a new call for innovative sessions open now to both current participants and those interested in joining the virtual event. We are particularly interested in experimental sessions for collaboration, sharing, and socializing. If you would like to submit, please view the new call (copied below) and submit by May 1st.

One benefit to this model is that it makes the entire conference open access and alleviates some of the exclusionary aspects of academic conferences. Given this opportunity for inclusivity, and the economic challenges facing all of us and our institutions in this time of crisis, we are reducing the registration fee for the conference. We ask that you pay your ELO membership (https://eliterature.org/membership/) by May 15th plus an additional $50 registration fee to be included in the conference program, and if you have the funds available, please consider donating to support the community-building, archival, and critical work of the organization. Our conference is our biggest event each year for supporting the organization’s mission, and without this gathering our budget will be greatly reduced, particularly as we are in the process of negotiating potentially significant penalties from the hotel.

Updates to the website and other logistical details will be forthcoming, pending our current attempts to resolve the contract with the hotel. We hope that you will be able to join us in this new format, even if you were not originally planning to make the trip to Orlando.

Thank you, and take care,
Anastasia Salter

Call for Experimental Virtual Sessions:

As with many conferences moving to the virtual format for the first time, the Electronic Literature Organization Conference and Media Art Show will be seeking innovative strategies for creating engagement and connection during the week of the virtual event. These can include both synchronous and asynchronous sessions. If you would like to lead a virtual happening, please submit an abstract of 150-250 words describing the session via our submissions portal: https://stars.library.ucf.edu/cgi/ir_submit.cgi?context=elo2020. Here are a few ideas from our conference team to get you started:

  • Synchronous roundtables or hashtag chats

  • Netprov or other virtual performance pieces

  • Digital poetry jams in unusual platforms (Animal Crossing? MMOs)

  • Social media exhibition pieces

  • Game or electronic literature jams appropriate to the conference theme

Select the category of “Virtual Engagement Sessions” when submitting. This call is open both to those who had already planned on joining us in Orlando, and those newly able to participate due to the move to online. Our team will review proposals on a rolling basis through May 1st, and reach out to discuss strategies for implementation as appropriate. We look forward to working with you to craft an engaging program under our new constraints.

 

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ELO Call for MLA abstracts

Call for Abstracts

We are calling for abstracts for a potential Special Session hosted by Electronic Literature Organization at the Modern Language Association’s convention to be held in Toronto from January 7-10, 2021.

Keeping in line with the convention theme, Persistence, the theme of this panel is “Persisting Literatures.” We are looking for abstracts, 250-words in length, for presentations that explore ways in which digital literary scholars and artists work to keep writing accessible to the public. Topics can include but are not limited to: preservation, taxonomies, software deprecation and upgrades, changing platforms, hardware challenges, archival practices, translation, economic resiliency, racial inequality, and environmental crisis.

Send proposals by March 20, 2020 to Dr. Dene Grigar, Washington State University Vancouver, dgrigar[at]wsu.edu.

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ELC4 Deadline Extended (April 19)

EXTENSION:
New deadline April 19

The submission page is here.

We are extending the deadline for submissions to the Electronic Literature Collection Volume 4 to April 19th. We appreciate that the impact of COVID-19 as an international health emergency may prevent potential submissions from parts of the world affected, and so are extending the deadline to mid-April. If you have already submitted, you will have an option to revise or update your submission, and if you have not yet submitted, and have any issues with the submission process, including the video documentation, please reach out to us.

Video Documentation:

We have received a number of questions relating to the video documentation requirement, and so would like to provide some clarification. The file size limit is 100MB. Our recommendation is to record the work in a resolution no greater than 1200×768, and to use a codec based on the nature of the graphics in the work. We ask that you document at least a single traversal of the work if it is multicursal. This is so that we can make a decision on the work’s availability to future scholars and teachers in the case that the original platform is no longer viable. For some works, a traversal does not make sense, and so we are looking for documentation of the core features and essence of the work and its contributions. For a VR work, this could include a recording of a session, though it is important such sessions are long enough to represent the work and not simply function as a trailer for the work.

We are grateful to everyone who has submitted and who plan to submit, and hope that everyone is able to take appropriate measures during this pandemic.

ELC4 Electorial Collective

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New Board Members: Alex Saum-Pascual & Erik Loyer

ELO is pleased to announce the addition of two new Board members: Alex Saum-Pascual and Erik Loyer.  As prominent scholars and practitioners, both Alex and Erik have shaped electronic literature, now they will help shape ELO.

Alex SaumAlex Saum-Pascual is Associate Professor of Spanish and New Media at the University of California, Berkeley, where she teaches Contemporary Spanish Literature and Culture (20th and 21st Centuries) and Electronic Literature (Digital Humanities). She is also part of the Executive Committee of the Berkeley Center for New Media. Her academic work on digital media and literature in the Spanish-speaking world has been published in Spain, Mexico and the United States in the Digital Humanities Quarterly, the Journal of Spanish Cultural Studies, the Arizona Journal of Hispanic Cultural Studies and Revista de Estudios Hispánicos, among others. Her monograph, #Postweb! Crear con la máquina y en la red (Iberoamericana-Vervuert, 2018) explores the influence of electronic writing technologies on both printed and born-digital books. As an artist, she is interested in the intersection of female representation in digital media and online spaces as these relate to offline environments in the Anthropocene. Her digital artwork and poetry has been exhibited in galleries and art festivals in the United States and abroad. She is currently a 2020 Poetry Fellow at the Arts Research Center, working on her latest electronic literature work, corporate poetry.

Erik LoyerErik Loyer makes digital artworks and creative tools that marry the visual language of comics with motion graphics and musical performance. He founded the interactive label Opertoon in 2008 to explore this territory, releasing the interracial love story Ruben & Lullaby, the touchscreen meditation Strange Rain, and the digital graphic novel Upgrade Soul, which have garnered critical acclaim and over half a million downloads. Through Opertoon, Loyer has also originated a pair of creative tools—Panoply for digital comics, and Stepworks for electronic literature—which have been utilized in classrooms and workshops across the United States and Europe, as well as in commercial releases. He is active in the digital humanities as Creative Director of the popular scholarly publishing tool Scalar, and as the designer and developer of over a dozen interactive non-fiction works in collaboration with leading scholars, artists, and organizations including the Martin Luther King, Jr. Research and Education Institute. Loyer is also co-founder and Chief Experience Officer of TunesMap, a media startup that delivers cultural context around streaming music. A two-time Webby Awards Official Honoree, his work has been exhibited in the Americas and Europe, included in the Electronic Literature Collection, Volume 2, and he has been commissioned by the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, and the San Francisco Museum of Modern Art.

The ELO Board of Directors is a hardworking group of volunteers.  For a full list of members see our People page.

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ELO Welcomes New Board Member Anna Nacher

We are pleased to welcome our newest member of the ELO Board of Directors, Anna Nacher.  Newcomers to ELO 2019 in Cork were welcomed by Anna’s tweets, but Anna is no newcomer to ELO or electronic literature.  Her contributions to the field extend into the areas of locative media imagery and virtual reality.  She most recently enjoyed a tour as Fulbright Scholar-in-Residence in Creative Digital Media at Winona State University.

The ELO Board is entirely made up of volunteers who serve for renewable 3-year terms. For more information on Board Members, see our people page.

Below is Anna’s bio:

Anna Nacher – an associate professor at the Institute of Audiovisual Arts, Jagiellonian University, Kraków, Poland; Vice Editor-in-Chief for Arts & Cultural Studies Review (Przegląd Kulturoznawczy); and the 2019 Fulbright Scholar-in-Residence in Creative Digital Media program at Winona State University (USA).

Her research interests include media art, electronic literature, media theory and environmental humanities. She is currently pursuing a 3-year long research project on the post-digital imagery grant from Polish National Science Centre (entitled, “The aesthetics of post-digital imagery: between new materialism and object-oriented philosophy,” ). The author of three books in Polish; the newest one published in 2016 focuses on a locative media imagery. A reworked version of one chapter has appeared as “Internet of things and automation of imaging: beyond representationalism” in communication+1, vol. 5 (2016). She has published numerous articles in journals and chapters in edited volumes including Hyperrhiz, Electronic Book Review, communication+1. The most recent publication: VR – the culture of (non)participation? “Reframing the participative edge of virtual reality” in Cultures of participation: Arts, Digital Media and Cultural Institutions: Eriksson B., Stage C., Valtysson B. (eds.)  (Routledge 2019).

She is also a part-time musician and a passionate gardener in a tiny permaculture farm located in Slovakian Carpathians.