Announcing Digital Humanities Quarterly: New Venue for Published E-Lit

October 21, 2005 in Calls

Announcing Digital Humanities Quarterly, a new open-access peer-reviewed journal sponsored by the Alliance of Digital Humanities Organizations and the Association for Computers and the Humanities. Below is the call for interactive media submissions. Please link and trackback to help us get the word out.

Call for Submissions (Interactive Media)

Digital Humanities Quarterly

Interactive Media submissions are invited for Digital Humanities Quarterly, a new open-access peer-reviewed online journal sponsored by the Alliance of Digital Humanities Organizations and the Association for Computers and the Humanities. Submissions may be mailed to submissions@digitalhumanities.org. A web submission form will also be available soon.

We welcome material on all aspects of digital media in the humanities, and we encourage research creators to submit original interactive works for review. These works should be an original use of interactivity and design in educational, research, or creative communication. Suitable works could include (but are not limited to) original hypertext fiction, online educational applications or games, text analysis tools, interactive visualizations, streaming media work, and original interactive digital artwork.

We are also seeking articles representing original research in digital humanities, editorials, and reviews regarding any aspect of digital humanities (including humanities computing, new media, digital libraries, game studies, digital editing, pedagogy, hypertext and hypermedia, computational linguistics, markup theory, and related fields). A separate call for submissions will be posted for this area.

Submissions in all categories may be in traditional formats, or may be formally experimental. We welcome submissions that experiment with the rhetoric of the digital medium. We encourage the use of standards-based formats, but over time we will work to accommodate a wider range of media types and experimental functions.

All submissions will be peer reviewed.

For submission guidelines, please visit http://www.digitalhumanities.org/dhq/guidelines/index.shtml. In particular, please note the requirements for the submissions of interactive media http://www.digitalhumanities.org/dhq/guidelines/mediaGuidelines.shtml. For articles, please note the new DHQauthor schema, a TEI-based schema for authoring, available for download together with stylesheets and documentation at http://www.digitalhumanities.org/en//DHquarterly/DownloadCentral.

For further information, and to contact our editors, please visit http://www.digitalhumanities.org/dhq/.

medi@terra Art and Technology Festival, Athens

October 19, 2005 in Calls

medi@terra, the 7th international art and technology festival of the Fournos Center for Digital Culture invites submissions of papers and games on this year’s theme, “Games and Reality”. The festival and conference will take place December 7-11, 2005, in Athens, Greece. The deadline for submission of games and game demos, as well as abstracts for the “Games or Reality: the Challenge of Digital Culture” conference portion of the festival is October 30, 2005. Visit mediaterra.org for the full call.

Call for Participation: Creative Versioning Project

October 2, 2005 in Calls, New E-Lit

Matthew Kirschenbaum is looking for poets and fiction writers willing to participate in a project to archive versions of texts in progress. An electronic document repository (known as a Concurrent Versions System, or CVS) will be used to track revisions and changes to original fiction and poetry contributed by participating writers who will work by checking their drafts in and out of the repository system. The goal is to provide access to a work at each and every state of its composition and conceptual evolution ­- thereby capturing the text as a living, dynamic object-in-the-making rather than a finished end-product. A reader will be able to watch the composition process unfold as though s/he were looking over the writer’s shoulder.

Participating writers must agree to:

* Work with your text exclusively within the confines of the CVS, checking it in and out each and every time you wish to edit or compose.

* Give their consent to make all archived versions of the work publicly accessible.

The result will be a Web-accessible archive, with the full text of each and every version of a writer’s text available for reading and relations between the versions expressed by means of maps and visualizations.

To participate, please contact Kirschenbaum at mgk =at= umd =dot= edu . Please indicate your willingness to abide by the above constraints.

Matthew Kirschenbaum
Assistant Professor of English
Acting Associate Director,
Maryland Institute for Technology in the Humanities (MITH)
301-405-8927 or 301-314-7111 (fax)

http://www.mith.umd.edu/

http://www.otal.umd.edu/~mgk/

[Note: At this point Kirschenbaum is recruiting interested writers. He is not sure when the project will actually get off the ground - hopefully this winter.]

ACLS Digital Innovation Fellowships

September 7, 2005 in Calls

The ACLS announces the first annual competition for the ACLS Digital Innovation Fellowships, thanks to the generous assistance of The Andrew W. Mellon Foundation. This program invites applications to pursue digitally based research projects in all disciplines of the humanities and humanities-related social sciences. It is hoped that projects of successful applicants will help advance digital humanistic scholarship by broadening understanding of its nature and exemplifying the robust infrastructure necessary for creating further such works.

ACLS Digital Innovation Fellowships are intended to support an academic yeadedicated to work on a major scholarly project that takes a digital form. Projects might include but are not limited to: digital research archives, new media representations of extant data, innovative databases, and digital tools that further humanistic research. ACLS does not support creative works (e.g., novels or films), textbooks, straightforward translations, or purely pedagogical projects. The ACLS will award up to five ACLS Digital Innovation Fellowships in this competition year. Each fellowship carries a stipend of up to $55,000 towards an academic year¹s leave and provides for project costs of up to $25,000.

This year’s successful applicants may take up the fellowship in 2006-2007 or at any time up to September 1, 2007, but candidates must commit themselves firmly to their preferred timeframe on their completed applications.

Amount (for stipends): up to $55,000
Amount (for project costs): up to $25,000
Tenure: one academic year, plus institutional support for an additional
period.

Completed applications must be submitted through the ACLS Online Fellowship Application system (ofa.acls.org) no later than 9 p.m. Eastern Standard Time, November 10, 2005. Decisions will be announced in late March 2006.

More information: archive of: http://www.acls.org/difguide.htm

Duchampian Net-Lit

September 2, 2005 in Calls

Literaturhaus Stuttgart is sponsoring an unusual net-literature competition. The 1st Bachelors’ Prize for Net-Literature is “aimed at making the sterile bachelors’ machine fertile and is calling for entries in a productive net-literature competition.” The site goes on to say: “In accordance with the nature of the venture, participation is restricted to men.” The winner will receive 2000 euros, and the deadline is September 30th. Only web addresses can be submitted.

Shandy Hall Residencies

August 23, 2005 in Calls, Other News

Laurence Sterne (1713-68) wrote The Life and Opinions of Tristam Shandyin Shandy Hall, Coxwold, York, in the 18th Century. The innovative nonlinear novel is often cited by contemporary new media writers as an influence on their creative practice. It was recently announced that Shandy Hall will now house Asterisk*, a center for the study and development of narrative. Rather than simply developing the site as a museum dedicated to Sterne’s life and works, the center will be dedicated to innovation in both old and particularly new work. Asterisk* will support residencies for artists, “we envisage that these residencies will take forward current practice in a variety of narrative engagements: with diverse media, non linearity, digression, interactivity and audience participation, particularly (though not exclusively) where these intersect with technology.” The center will also commission new works, host exhibitions and performances, lectures and events, and a web forum. Last year hypertext author Deena Larsen completed a short hypertext, Shandean Ambles, during a three-day residency at the site. Asterisk* is now accepting applications for two three-week residencies this fall, one intended for a new media artist and the second for a writer with minimal technical background interested in integrating new media into his or her practice. Asterisk* also intends to gather an extensive library of innovative interactive literature at Shandy Hall.

Slamdance seeks Interactive Fiction and Drama

August 12, 2005 in Calls

Entries for the 2nd Annual Independent Games Competition at Slamdance are due October 24 and require a $40 fee (or submit by Sept 30 to save $10). The competition, held in January in Park City, Utah alongside the Slamdance and Sundance film festivals, includes a category for student work. Check out last year’s finalists and winners.

While a game competition may seem an unusual news item for the ELO website, this year’s rules make it clear that Slamdance is particularly interested in literary forms such as interactive fiction and drama. The rules also make clear what “independent” means in this context. To wit:

Developer(s) cannot have sponsorship money exceeding $25,000.

Games published or distributed for profit before the final deadline of October 24, 2005 are ineligible.

Innovative and unusual formats, such as interactive fiction and drama, are encouraged to apply. Games must display interactivity, and be in an electronic format to be considered for the competition.

CFP/New Media Texts: Reading (and Writing) New Media

August 3, 2005 in Calls, Other News

Editors Jim Kalmbach and Cheryl Ball invite submissions of essays and new media texts for a collection entitled Reading (and Writing) New Media. The anthology seeks to interrogate the act of reading in the context of digital new media texts. The selected new media texts, as well as selections from texts discussed in essays, will be published in an accompanying CD.

Topics to be addressed may include:

–What does it mean to read new media?
–How have digital spaces changed the act of reading?
–How does reading digital texts–including games, instant messaging, digital art and music, etc.–enlarge our conception of what a text is?
–Is there a digital canon forming, and what are the consequences of such a move?
–What happens when writing morphs into composition or design?
–What sorts of composing processes inform the creation and reading of new media texts?
–What teaching possibilities lie at the intersection between reading and composing new media texts?

Read the full call at http://cball.usu.edu/research/raw/

500-word abstracts are due October 1, 2005. Send inquiries to Jim Kalmbach or Cheryl Ball.

Drunken Boat’s First Annual Panliterary Awards

July 29, 2005 in Calls

Deadline Extended to: August 15th, 2005
Judges: Annie Finch, Sabina Murray, Alexandra Tolstoy, Talan Memmott, David Hall, and DJ Spooky

Drunken Boat, http://www.drunkenboat.com, international online journal for the arts, announces its First Annual Panliterary Awards in Poetry, Fiction, Non-Fiction, Web-Art, Photo/Video, Sound. Submit up to three works, either via email to panlitawards@drunkenboat.com or via physical mail to: Drunken Boat, 119 Main St., Chester, CT 06412. A $15 entry fee must accompany all submissions, either via check or money order, else submitted electronically at: http://www.drunkenboat.com/db7/donate.html. Winners in all categories will be featured in a subsequent issue of Drunken Boat, and will be invited to perform at future multimedia events and performances. All other entries will be considered for publication.

Submissions must be received no later than August 15th, 2005. Awards will be given in the following genres: poetry, fiction, non-fiction, web art, photo/video and sound.

CFP: First Issue of HyperRhiz

July 12, 2005 in Calls

HyperRhiz, the peer-reviewed new media satellite of Rhizomes: Cultural Studies in Emerging Knowledge, seeks web-based multimedia contributions for its first issue. HyperRhiz “affirms and extends the mandate of Rhizomes, which is to publish peer-reviewed works based on or responding to Deleuzian analyses of culture.”

Contributions may include:

–hypertextual presentations/interpretations of critical theory
–interactive web installations
–rich media documentation of electronic projects
–web-based interactive games
–animated/code poetry/fiction
–web-enabled video documentary

Send proposals by July 15, 2005 to submissions at hyperrhiz dot net. Email questions regarding submissions to Helen Burgess.

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