Matthew Mirapaul’s New York Times column today focuses on two of the most interesting new hypertext releases of the summer – Judd Morrisey’s “The Jew’s Daughter,” which uses Flash to build a shifiting hypertext narrative via mousever links, and “aspergillum gently,” a a multimedia adaptation of “Pedro Páramo,” an existentialist 1955 novel by the Mexican author Juan Rulfo constructed by New York artist Isabel Chang.