Announcing International Awards in Electronic Literature: 

The 2017 ELO Prize

— Porto Portugal

Literature is changing right in front of our eyes, and this year’s awards from the Electronic Literature Organization celebrate artists and scholars who are at the vanguard.

At the annual conference of the Electronic Literature Organization (ELO), held this year in Porto, Portugal, President Dene Grigar announced the 2017 ELO Prize winners: Alan Bigelow, John Cayley, and David Jhave Johnston for transformative work in the field of digital literature.   Second place winners include María Mencía, Mez Breeze and Andy Campbell, and shortlisted authors include Serge Bouchardon, JR Carpenter, Judy Malloy, Anastasia Salter.

Read more Announcing the 2017 ELO Prize Winners

ELC3 2.0

We are pleased to announce the 2.0 version of the Electronic Literature Collection, Volume 3 (ELC3). This version adds preservation and new resources to the 114 featured works. Here are four new features that should be of special interest to our community.

• The works are now hosted in ELO servers (whenever possible), but we also link directly to their original websites to offer access to their authorial contexts. You can access both, as well as video documentation, through the Begin menu.

• Downloadable, editable source files and other materials provided by the authors are now included in a new section titled Downloads, beneath the Editorial Statements for each work. You can study these materials from a variety of critical or creative approaches or remix them to create your own.

• Twitter bots now have archives which allow you to browse, search, and read deeply into their output, from their launch up to January 2016. You can access them through the Begin menu or download them as spreadsheets in the Downloads section.

• A downloadable version of the ELC3 will soon be available for those who wish to install it in classrooms, labs, or have an offline copy.

We are still fundraising to offer a USB version free to ELO members, sponsors, and to distribute to libraries, museums, and archives. If you are interested in contributing to this free and open ELO initiative, contact us at elcvol3@gmail.com.

The Electronic Literature Collection is one of ELO’s many initiatives to promote and preserve digital literature.  Your membership helps to fund these projects.  Join or renew your membership today or increase your membership level to enable ELO to continue to increase and spread information about this innovative mode of art.  https://eliterature.org/membership/

Share and enjoy!

The ELC3 Editorial Collective

• Stephanie Boluk

• Leonardo Flores

• Jacob Garbe

• Anastasia Salter

The Search for Electronic Literature Leads to the CELL Project

http://cellproject.net/

For Immediate Release
— Morgantown, WV

Announcing Cell Project, a new multi-database search for information on electronic literature, created by the Electronic Literature Organization in collaboration with 10 research centers around the world.

The Consortium on Electronic Literature (CELL) is an open access, non-commercial resource offering centralized access to literary databases, archives, and institutional programs in the literary arts and scholarship, with a focus on electronic literature.

The purpose of CELL is to better identify works as literary and make the evolving field of born (and genetically) digital writing visible on a global scale. The project will develop communities and best practices in research in born digital literature.

According to Project Leader Sandy Baldwin, “For the first time, users can get a view of the entire field and ask critical research questions. As the database evolves, it will become the go-to site for discoveries in electronic literature. We will research unrecognized aspects of the field, illuminate global issues, and map the ‘literariness’ of electronic literature.”

Although the search engine is Open Access, the content of the databases is edited according to scholarly standards.  That editorial oversight will make the CELL site a valuable resource for students of electronic literature.

More than an “e-lit Google,” CELL offers a “tool for curated, international research into digital literature,” according to Baldwin.

The consortium will draw upon the following data centers:

• The ELO’s Electronic Literature Directory (ELD);
•  electronic book review (ebr), one of the oldest all-online peer-reviewed journals
•  Digital Language Arts Collection, Brown University Digital Repository
•  ADELTA (Australian Directory for Electronic Literature and Text-based Art), University of Western Sydney (Australia)
• Hypermedia, Art, and Literature Directory, Laboratoire NT2, Université du Québec à Montréal (Canada)
• The ELMCIP Electronic Literature Knowledge Base, University of Bergen (Norway)
• ADEL – Archive of German Electronic Literature, University of Siegen (Germany)
• PO.EX – Digital Archive of Portuguese Experimental Poetry, University Fernando Pessoa (Portugal)
• Hermeneia, Literary Studies and Digital Technologies Research Group, Universitat de Barcelona (Spain); CELL White Paper DRAFT 7
• I ♥ E-Poetry, University of Puerto Rico: Mayagüez (Puerto Rico)

The project was sponsored by these partners along with the National Endowment for the Humanities.  The management of the project is coordinated by the Center for Literary Computing at West Virginia University, and the technical development takes place at NT2 Lab in Montreal.

By the ELO 2015 Conference in Bergen, up to six sites will be connected to the search.

For more information, contact Sandy Baldwin sbaldwin66 at gmail

ELO President Dene Grigar and Board Member Stuart Moulthrop are releasing a new free online book entitled Pathfinders, which features resources about foundational works of early electronic literature from some of the biggest names in the field.  This is a vast resource for anyone wishing to study electronic literature or include it in their courses.  Below is their full announcement.

In the decade between 1985 and 1995, as personal computers grew familiar and the Internet became a presence in everyday life, assumptions about reading, writing, and text began to change. Digital tools allowed increasingly powerful combinations of media. The ancestors of blogs and social networks appeared.  Experimental writers began to use tools like hypertext as the basis for fiction and poetry.

In the face of all these changes, the idea of the book remained essential in understanding the new nature of writing.  Yet the book could no longer be limited to traditional forms.  To understand the early history of electronic writing we would need a new kind of book; but what would it be like?  How would it capture the interactivity the effort now required of readers? How would it reflect the graphics, movement, and sound that that had become important narrative strategies? How would such a reinvented book make accessible works meant to run on an Apple IIe or early Macintosh computer, in these days of tablets and smart phones?

Pathfinders: Documenting the Experience of Early Digital Literature, by Dene Grigar and Stuart Moulthrop, answers these questions in the form of a multimedia, open-source web-book created for a wide array of digital devices. It features 173 screens of content, 53,857 words of text, 104 videos, 203 color photos, and various audio files, providing readers with access to four important computer-based works of literature that were among the first to be sold commercially in the U.S. — but are now seriously threatened by obsolescence.

The book, whose production was funded by a grant from the National Endowment for the Humanities, will be released June 1, 2015 and made available free of charge through the open-source platform Scalar, created by the Alliance for Networking Visual Culture at the University of Southern California.

Using video and still photography, Pathfinders captures demonstrations of four groundbreaking works, performed by their authors on vintage systems.  Readers accessing the book will watch Judy Malloy walk through her database novel Uncle Roger, originally published on the Whole Earth ‘Lectronic Link and considered by some the first example of social-media literature.  They will also see a tour of Uncle Buddy’s Phantom Funhouse, a revolutionary hypermedia novel-in-a-box by John McDaid, and a demonstration of two classics in the early hypertext system Storyspace, Shelley Jackson’s Patchwork Girl and William Bly’s We Descend.  Extensive interviews with all four authors add an important dimension of oral history to the project.

All four are acclaimed works of fiction representing the cultural impact of digital technologies that resonate today in experimental writing, video games, cinema, and virtual reality experiences.

Pathfinders was created by Dene Grigar, Professor and Director of the Creative Media & Digital Culture Program at Washington State University Vancouver, and Stuart Moulthrop, Professor of English at the University of Wisconsin-Milwaukee.  Demonstrations and research took place in the Electronic Literature Lab (ELL), a working collection of electronic literature and vintage computers dating from1983 assembled and directed by Grigar. The designer of the Pathfinders book is Will Luers, faculty member in the CMDC Program. Madeleine Brookman, a junior in the CMDC Program, served as the Research Assistant to the project.

The formal book launch party is scheduled for Friday, June 5, at 6:30 p.m. at Nouspace-Angst Gallery, located at 1015 Main Street, Vancouver, WA. The works of these authors will be displayed on vintage computers and copies of the book will be on view to the public. For more information, contact Dr. Dene Grigar, dgrigar at wsu.edu.

The book will be available at http://scalar.usc.edu/works/pathfinders.