Slamdance seeks Interactive Fiction and Drama

Entries for the 2nd Annual Independent Games Competition at Slamdance are due October 24 and require a $40 fee (or submit by Sept 30 to save $10). The competition, held in January in Park City, Utah alongside the Slamdance and Sundance film festivals, includes a category for student work. Check out last year’s finalists and winners.

While a game competition may seem an unusual news item for the ELO website, this year’s rules make it clear that Slamdance is particularly interested in literary forms such as interactive fiction and drama. The rules also make clear what “independent” means in this context. To wit:

Developer(s) cannot have sponsorship money exceeding $25,000.

Games published or distributed for profit before the final deadline of October 24, 2005 are ineligible.

Innovative and unusual formats, such as interactive fiction and drama, are encouraged to apply. Games must display interactivity, and be in an electronic format to be considered for the competition.

E-Poetry 2005

E-Poetry 2005: An International Digital Poetry Festival

London: Wednesday, 28 September – Saturday, 1 October 2005

E-Poetry 2005 is both a conference and festival, dedicated to showcasing the best talent in digital poetry and poetics from around the world. E-Poetry combines a high-level academic conference and workshop (examining growing trends in this young art form) with a festival of the latest and most exciting work from both established and new practitioners.

The festival is scheduled to take place at Birkbeck College, University of London, with performances at the ICA, Tate Modern, and other important London venues. There will be performances by numerous leading digital poets with guest appearances from major literary figures, as well as installations and exhibits throughout the week. The festival organizers are Loss Pequeño Glazier & Piers Hugill, with the assistance of John Cayley.

The Carl Comics

The Carl ComicsThe author of Understanding Comics and Reinventing Comics has invented several new comic forms for the Web. In “The Carl Comics,” McCloud offers an “expandable” comic and a “Choose Your Own Carl” that branches and recombines at numerous points, offering different horizontal and vertical paths. More than a thousand readers offered suggestions, participating in developing this “fully interactive, multiple path, reader-written, death-obsessed comics extravaganza.”

Thom Swiss Seminar at University of Queensland

ELO President Thom Swiss will be at the University of Queensland’s St. Lucia campus on Tuesday, August 9th, to give a talk on “New Media Literature and Art: A Writer’s Perspective”. Swiss will discuss “the possibilities for literature offered by the electronic convergence of words, images, and sound.” For complete information on this event, visit the University of Queensland’s Centre for Critical and Cultural Studies. This event is free and open to the public.

CFP/New Media Texts: Reading (and Writing) New Media

Editors Jim Kalmbach and Cheryl Ball invite submissions of essays and new media texts for a collection entitled Reading (and Writing) New Media. The anthology seeks to interrogate the act of reading in the context of digital new media texts. The selected new media texts, as well as selections from texts discussed in essays, will be published in an accompanying CD.

Topics to be addressed may include:

–What does it mean to read new media?
–How have digital spaces changed the act of reading?
–How does reading digital texts–including games, instant messaging, digital art and music, etc.–enlarge our conception of what a text is?
–Is there a digital canon forming, and what are the consequences of such a move?
–What happens when writing morphs into composition or design?
–What sorts of composing processes inform the creation and reading of new media texts?
–What teaching possibilities lie at the intersection between reading and composing new media texts?

Read the full call at http://cball.usu.edu/research/raw/

500-word abstracts are due October 1, 2005. Send inquiries to Jim Kalmbach or Cheryl Ball.

ELO’s Born-Again Bits Released

Following up on its pamphlet Acid-Free Bits: Recommendations for Long-Lasting Electronic Literature, ELO has released online Born-Again Bits: A Framework for Migrating Electronic Literature by Alan Liu, David Durand, Nick Montfort, Merrilee Proffitt, Liam R. E. Quin, Jean-Hugues Réty, and Noah Wardrip-Fruin. Part of a continuing series of publications by ELO’s Preservation, Archiving, and Dissemination (PAD) initiative, Born-Again Bits is a white paper that presents a conceptual, technical, and institutional framework for imagining how electronic literature — more experimental and harder to preserve than many other kinds of digital materials — can follow standards-based paths of migration into future technical environments. Two main kinds of migration strategies are addressed under the titles: “Interpreter Initiative” and “X-Lit Initiative.” (For a printed copy of this publication, contact Carol Wald at ELO.)

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afternoon, a story

afternoon, a storyafternoon, a story is one of the most widely-discussed works of electronic literature. It is the story of Peter, a technical writer who (in one reading) begins his afternoon with a terrible suspicion that the wrecked car he saw hours earlier might have belonged to his former wife: “I want to say I may have seen my son die this morning.” See the Directory entry for more information about this piece.

Drunken Boat’s First Annual Panliterary Awards

Deadline Extended to: August 15th, 2005
Judges: Annie Finch, Sabina Murray, Alexandra Tolstoy, Talan Memmott, David Hall, and DJ Spooky

Drunken Boat, http://www.drunkenboat.com, international online journal for the arts, announces its First Annual Panliterary Awards in Poetry, Fiction, Non-Fiction, Web-Art, Photo/Video, Sound. Submit up to three works, either via email to panlitawards@drunkenboat.com or via physical mail to: Drunken Boat, 119 Main St., Chester, CT 06412. A $15 entry fee must accompany all submissions, either via check or money order, else submitted electronically at: http://www.drunkenboat.com/db7/donate.html. Winners in all categories will be featured in a subsequent issue of Drunken Boat, and will be invited to perform at future multimedia events and performances. All other entries will be considered for publication.

Submissions must be received no later than August 15th, 2005. Awards will be given in the following genres: poetry, fiction, non-fiction, web art, photo/video and sound.

Galatea

GalateaShort’s all-text simulation lets the interactor converse with a statue that has come to life. Depending on how the conversation affects the mood of Pygmalion’s creation, and where the conversation goes, different secrets will be unfolded and different (sometimes incompatible) backstories will be revealed. Galatea won the 2000 IF Art Show and set the standard for compelling characters in interactive fiction. See the Directory entry for more information about this piece.

Façade

FaçadeFaçade, a finalist 2004 Independent Games Festival, is an interactive drama that is visually rich and dramatically deep. A first-person-shooter interface accepts typed conversational statements and allows the animated characters, Trip and Grace, to speak back to this drama’s “player” as their marriage dissolves.