The John and Bebe Petrou Foundation, the Department of English, and the Maryland Institute for Technology in the Humanities (MITH) are very pleased to announce the 2006 Bebe Koch Petrou Lectures on NEW MEDIA STORYTELLING at the University of Maryland, College Park. There will be two speakers associated with this event, coming to campus on separate days. All events are free and open to the public.
The first will be SHELLEY JACKSON on Monday, April 17th. She will present “Shelley Jackson’s Interstitial Library” at 3:30 in Susquehanna Hall 1120. There will also be a more casual colloquium discussion at MITH (McKeldin Library, B0131) earlier in the day at 11:00, which all are welcome to attend. Jackson is an internationally recognized writer, electronic artist, and theorist and practitioner of new performance media. Her work includes Patchwork Girl (published in 1995 by Eastgate Systems, it is a hypertext refashioning of Frankenstein, told–in part–from the vantage point of the female monster). “Perhaps the true paradigmatic work of the era,” writes Robert Coover, “Shelley Jackson’s elegantly designed, beautifully composed Patchwork Girl offers the patient reader, if there are any left in the world, just such an experience of losing oneself to a text, for as one plunges deeper and deeper into one’s own personal exploration of the relations here of creator to created and of body to text, one never fails to be rewarded and so is drawn ever deeper, until clicking the mouse is as unconscious an act as turning a page, and much less constraining, more compelling.” More recently, Jackson has gained notoriety for “Skin,” a short story “published” as individual words tattooed onto the skin of hundreds of willing participants. She has written experimental Web-based texts, including “My Body–a Wunderkammer” (available at http://www.altx.com/thebody/) and “Stitch Bitch” (http://web.mit.edu/comm-forum/papers/jackson.html). She is also an illustrator of children’s books. Jackson teaches at the New School.
SCOTT McCLOUD will visit on Tuesday, May 2. Watch for further details.
Judy Malloy’s “Interlude” is part of a longer work entitled Dorothy and Sid. This story focuses on the lives of contemporary artists in the San Francisco Bay area; it unfolds in four parts: “Dorothy Abrona McCrae”; “Interlude — Dorothy and Sid”; “A Party at Silver Beach”; and “Afterwards.” Each of these narratives is characterized by multilinear story segments that can be accessed by the reader in varying order. “Dorothy Abrona McCrae” was begun as an online serial in April 2000. A new installment was added each month. The final installment was posted in December 2000. In “Interlude — Dorothy and Sid,” in a series of trips and intimate moments, Dorothy and Sid change their long-term but occasional relationship into a more serious commitment.
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