Digital Preservation Project Launches at WSU Vancouver

July 2, 2013 in E-Lit Criticism, Press Release

Following up on their NEH Digital Humanities Start-up Grant, ELO President-elect Dene Grigar sends word of the Pathfinders project with first guest ELO board member Stuart Moulthrop:

“Pathfinders: Documenting the Experience of Early Digital Literature” is making its debut at Washington State University Vancouver July 8 – 9 in the Electronic Literature Lab in the Classroom building, room 210. Stuart Moulthrop, professor of English at the University of Wisconsin- Milwaukee and an innovator of electronic literature and hypertext fiction as both a theoretician and writer, will be the first guest. He will also lecture at 7 p.m. July 9 at Nouspace Gallery, 1005 Main St, Vancouver, Wash. The lecture, “Failure to Contain: Electronic Literature and the State of (Machine) Reading,” is free and open to the public.

The project explores the idea of digital preservation and asks the questions: What happens to literary works meant to be experienced on a computing device when the software and computer systems with and for which they were created update, change or become obsolete? Do we allow these works also to become obsolete too, or do we find ways to preserve them?

“Pathfinders,” led by Dene Grigar, associate professor and director of the creative media and digital culture program at WSU Vancouver, and Moulthrop, are developing methods for digital preservation with the goal of capturing not only the digital work but also the human experience of interacting with early digital art . It is supported by a “Digital Humanities Start Up Grant” from the National Endowment for the Humanities.

Moulthrop has produced many critically significant works of digital writing and art over the past 25 years. One of his best-known, “Victory Garden,” (1991) was produced for computers that are not compatible with current standards, making the work unavailable for web-based archives without changes to its original form.

To preserve the beauty of the original work, Grigar will videotape Moulthrop in the Electronic Literature Lab as he talks through “Victory Garden” using a vintage Mac Classic. Following Moulthrop’s reading, two readers unfamiliar with “Victory Garden” will be videotaped to produce a record of multiple readers’ experience with the work. This is a process Grigar and Moulthrop call “traversal.”

Three more “Pathfinders” traversals are scheduled through the fall. To learn more, visit http://dtc-wsuv.org/wp/pathfinders or contact Grigar at dgrigar@vancouver.wsu.edu

 

MEDIA CONTACTS:
Dene Grigar, dgrigar@vancouver.wsu.edu
Brenda Alling, Office of Marketing and Communications, 360-546-9601, brenda_alling@vancouver.wsu.edu

 

OTHER RESOURCES
Pathfinders website:  http://dtc-wsuv.org/wp/pathfinders
Electronic Literature Lab website:  http://dtc-wsuv.org/wp/ell
Nouspace Gallery website:  http://dtc-wsuv.org/wp/nouspace

CFP New Works on Electronic Literature & Cyberculture: CLCWeb (3/1/13)

January 29, 2013 in Calls, E-Lit Criticism

CFP: New Works on Electronic Literature and Cyberculture
CLCWeb: Comparative Literature and Culture 16.5
Deadline:March 1, 2013
Email to: mzalbidea [at] lasallecampus.es

This CFP is aimed at participants in the 2012 ELVA  conference on Electronic Literature & other scholars of electronic literature.  Participants can submit their conference papers, but all relevant critical works will be considered.  The selected papers will be published on New Works on Electronic Literature and Cyberculture of CLCWeb: Comparative Literature and Culture 16.5 (2014): (Purdue University Press ISSN 1481-4374). <http://docs.lib.purdue.edu/clcweb>

Guest edited by Maya Zalbidea Paniagua (Universidad La Salle, Madrid), Asunción López Varela (Universidad Complutense, Madrid) and Mark C. Marino (University of Southern California), the theme of the special issue, in the context of digital humanities, is the critical, social, philosophical, gendered, and pedagogical aspects of electronic literature, digital art, and cyberculture.

Please send papers in 6000-7000 words to Maya Zalbidea at by March 1st 2013. Of particular interest are papers on cybertext/hypertext theory and application; hypertext fiction (flash fiction, e-poetry, digital storytelling, online graphic novels, etc.); game studies, net and video art; and gender, identity, race, and sexuality in cyberspace. For the style of the journal consult http://docs.lib.purdue.edu/clcweblibrary/clcwebstyleguide.

Articles published in the journal are double-blind peer reviewed and indexed, among others, in the Thomson Reuters ISI Arts and Humanities Citation Index and Social Sciences Citation Index.

For more information contact Maya Zalbidea Paniagua, Universidad La Salle, Madrid

New Scientist Discovers Electronic Literature

December 15, 2010 in E-Lit Criticism, ELO, Press, Uncategorized

Members of the Electronic Literature Organization no doubt remember the first time they heard about electronic literature. That exhilarating moment wrapped around a sense of possibility and a desire to get their hands on either the tools of creation or the mind-blowing creations or both. Over the past month, the popular science journal New Scientist has been publishing posts marking its discovery of electronic literature in a series called Storytelling 2.0.

The posts mention ELO and ELO co-founder Robert Coover along with works by Jay Bushman and others. There’s even a mention of ELO-President Nick Montfort, alluding to his work on his IF platform Curveship.

Check out the posts and join the conversation as New Scientist readers discover e-lit.

The posts:

Electronic literature jobs at the University of Bergen

April 23, 2010 in E-Lit Criticism, ELO, Job Listings, New E-Lit

ELO Co-founder and Board member, Scott Rettberg, sends word of 2 opportunities in Norway! (Note: Summer deadlines for applications.)

Two opportunities are now available at the University of Bergen’s Digital Culture program (http://www.uib.no/rg/digitalculture) for scholars of electronic literature.

FULBRIGHT SCHOLAR/LECTURER IN DIGITAL CULTURE http://catalog.cies.org/

POSTDOC IN ELECTRONIC LITERATURE BIBLIOGRAPHY

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The ELO Directory returns 010110

January 1, 2010 in E-Lit Criticism, ELO, New E-Lit

ELO welcomes 010110 (decimal 22) with a special announcement:

The framework for the Electronic Literature Directory version 2.0 is now online:
http://eld.eliterature.org/

Think of this as an open house in a model home for e-lit.

The Directory has always been key to helping outsiders discover electronic literature. With the new version, it will be even easier to add and find works of electronic literature AND criticism.

But there’s more: The ELD will feature venues or “collections,” aggregators of e-lit and criticism.

When you take a glance at our demo works, you will notice some exciting features:

In addition to basic information about author, date, url, and language, entries list software platforms as well as annotations by ELO members. However, registered users will be able to extend the discussion in the comment section or by writing a review.

The ELO Directory team has worked hard to make these works more accessible, developing search tools, categories, and tags, the subject of much discussion on Joseph Tabbi’s recent online meditation (On Reading 300 Works of Electronic Literature).

The works you see are but a small sample of the ones already vetted, but this is a special invitation to see the structure of this exciting re-imagined resource.

Start by creating an account and submitting creative or critical works or collection sites. Those submissions will be delivered to our Directory team for evaluation and review.We’re looking forward to the re-launch of this flagsite enterprise of ELO.

Watch for full announcements to follow including thanks to the team who have been working so hard to make this a possibility.

At the start of the new decade, it is impossible to predict what new forms of literature will emerge, but you at least know where you can find them: the Electronic Literature Directory.

[Also, reminder, ELO AI deadline: January 15, 2010 or 011501]

&Now Festival Calls for eliterature (6/15/09, 10/14-17/09)

June 8, 2009 in Calls, E-Lit Criticism

Among the innovative writing featured at the past three &Now festivals has been a strong showing of electronic literature. Steve Tomasula sends us word that he hopes to see more at The 4th Biennial &Now Festival of Innovative Writing & the Literary Arts to be held in Buffalo, NY from October 14-17, 2009.

From the Call:

PLEASE SUBMIT….
Critical papers, criti-fictional presentations, fiction readings, performance pieces (digital, sound, and otherwise), electronic and multimedia projects, and cross genre work of all kinds. Pieces that address linguistic transgressions, the limits of genre, or works that promote interdisciplinary explorations are particularly encouraged. Proposals can be for individual readings, critical panels, creative panels, and/or roundtable discussions. (See the full call here)

In a note to ELO, Steve speaks of his desire from the start to include electronic literature as a literary genre, as opposed to a specialty or an oddity. Past &Nows have featured the electronic works of Stephanie Strickland, Rob Wittig, Scott Rettberg, and MD Coverley.

As another sign of the ELO-link, this year’s festival features Robert Coover.

This should be an excellent showcase for ELO works. Please submit or join us there.

SoftWhere: Software Studies Worksop 2008 (5/21-5/22)

May 21, 2008 in E-Lit Criticism, Events, Other News

Software Studies Gets Underway at UC San Diego!

Wednesday, May 21st, from 12:30-5:00pm, ELO board member Noah Wardrip-Fruin and the Software Studies Initiative at UC San Diego invite you to attend a public event:

SoftWhere: Software Studies Workshop 2008
Time: Wed. May 21 – Thu. May 22
Place: Calit2, University of California, San Diego
Format: Open public session (Wed May 21, short presentations of research in “Pecha Kucha” format)
Closed workshop session (Thu May 22)
URL: http://workshop.softwarestudies.com/

Software studies is a research field that examines software and cyberinfrastructure using approaches from humanities, cultural criticism, and social sciences. Following on the first Software Studies Workshop organized by Matthew Fuller (Rotterdam, 2006 http://pzwart.wdka.hro.nl/mdr/Seminars2/softstudworkshop), the SoftWhere @ University of California, San Diego is a foundational event bringing together key figures in this emerging area to inaugurate the field. The event aims to coalesce a high-level conversation about what it means to study software cultures, and the direction and goals of Software Studies as an emerging movement. It will take place at Calit2, a pre-eminant research center for future computing and telecommunication (http://www.calit2.net/), where the Software Studies Initiative @ UCSD is located and currently collaborating with researchers on several exciting projects. SoftWhere has has also been timed to precede (and co-ordinate with) the the HASTAC II conference (http://www.hastac.org/) which will begin in nearby U. California Irvine on Thursday evening.
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The Iowa Review Web returns

April 14, 2008 in E-Lit Criticism, New E-Lit, Other News

A new issue of The Iowa Review Web marks its reemergence as a hub of electronic literature. Although the issue has been online for sometime, we wanted to give it a bump for those who had not yet heard:

New Issue:
TIR-W Volume 9 no. 1
Multi-Modal Coding: Jason Nelson, Donna Leishman, and Electronic Writing

Guest-edited by Stephanie Strickland and Marjorie Coverley Luesebrink

The issue features an in-depth double interview of the two artists, essays by each artist on the other’s work, essays by Talan Memmott on Leishman and Nelson’s work, and links to their works, including Leishman’s Deviant, Nelson’s Pandemic Rooms and much more.

The next issue, guest edited by Stuart Moulthrop, will focus on playable texts, and will include works by Judy Malloy, Shawn Rider, Elizabeth Knipe, John Cayley, Nick Montfort, and Stuart Moulthrop. The issue will be published this spring.

The overall editor for TIR-Web is Jon Winet, Director, Virtual Writing
University Experimental Wing, jon-winet [at] uiowa.edu

“Publishing electronic literature since 1999, TIR-W is well-known for its commitment to new writing, encouraging the investigation of text and hypertext in theory and practice at their deepest levels.”

“Second Person” on the electronic book review

February 28, 2008 in E-Lit Criticism, Other News

Following their game plan (or walkthrough) for First Person, Pat Harrigan and Noah Wardrip-Fruin have brought their anthology Second Person: Role-Playing and Story in Games and Playable Media to the electronic book review (ebr) to bring the threads of discussion to life. Section One, Computational Fictions, has arrived at ebr and the subsequent sections will soon follow.

Together with Third Person, these two anthologies will form a trilogy of works from scholars, artists, and industry professionals on interactive narrative and drama forms. According to ebr,

The material in these volumes and on ebr represents a new level of dialogue between creators and critics about emerging forms of fictional and playable experience.

The ebr publication of the texts will not only open the book to readers across the Internet, but will also offer a site for continued conversation as readers respond to the texts through ripostes.

The essays previously published in the ebr “First Person” thread evoked (and provoked) responses from such central figures as N. Katherine Hayles, Henry Jenkins, and Stephanie Strickland.

The publication continues ebr‘s long-standing relationship with MIT press, and that press’ continued work toward public online discussion of its texts, as seen in the recent and ongoing vetting of Wardrip-Fruin’s Expressive Processing.

The Table of Contents of the Second Person release follows. Read the rest of this entry →

ELO Welcomes 3 New Board Members

December 14, 2007 in E-Lit Criticism, ELO, Other News

The Electronic Literature Organization is happy to announce the addition of three new board members, Stuart Moulthrop, John Cayley, and Mark Marino.

Full bios follow:

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