ELC4 Deadline Extended (April 19)

EXTENSION:
New deadline April 19

The submission page is here.

We are extending the deadline for submissions to the Electronic Literature Collection Volume 4 to April 19th. We appreciate that the impact of COVID-19 as an international health emergency may prevent potential submissions from parts of the world affected, and so are extending the deadline to mid-April. If you have already submitted, you will have an option to revise or update your submission, and if you have not yet submitted, and have any issues with the submission process, including the video documentation, please reach out to us.

Video Documentation:

We have received a number of questions relating to the video documentation requirement, and so would like to provide some clarification. The file size limit is 100MB. Our recommendation is to record the work in a resolution no greater than 1200×768, and to use a codec based on the nature of the graphics in the work. We ask that you document at least a single traversal of the work if it is multicursal. This is so that we can make a decision on the work’s availability to future scholars and teachers in the case that the original platform is no longer viable. For some works, a traversal does not make sense, and so we are looking for documentation of the core features and essence of the work and its contributions. For a VR work, this could include a recording of a session, though it is important such sessions are long enough to represent the work and not simply function as a trailer for the work.

We are grateful to everyone who has submitted and who plan to submit, and hope that everyone is able to take appropriate measures during this pandemic.

ELC4 Electorial Collective

New Board Members: Alex Saum-Pascual & Erik Loyer

ELO is pleased to announce the addition of two new Board members: Alex Saum-Pascual and Erik Loyer.  As prominent scholars and practitioners, both Alex and Erik have shaped electronic literature, now they will help shape ELO.

Alex SaumAlex Saum-Pascual is Associate Professor of Spanish and New Media at the University of California, Berkeley, where she teaches Contemporary Spanish Literature and Culture (20th and 21st Centuries) and Electronic Literature (Digital Humanities). She is also part of the Executive Committee of the Berkeley Center for New Media. Her academic work on digital media and literature in the Spanish-speaking world has been published in Spain, Mexico and the United States in the Digital Humanities Quarterly, the Journal of Spanish Cultural Studies, the Arizona Journal of Hispanic Cultural Studies and Revista de Estudios Hispánicos, among others. Her monograph, #Postweb! Crear con la máquina y en la red (Iberoamericana-Vervuert, 2018) explores the influence of electronic writing technologies on both printed and born-digital books. As an artist, she is interested in the intersection of female representation in digital media and online spaces as these relate to offline environments in the Anthropocene. Her digital artwork and poetry has been exhibited in galleries and art festivals in the United States and abroad. She is currently a 2020 Poetry Fellow at the Arts Research Center, working on her latest electronic literature work, corporate poetry.

Erik LoyerErik Loyer makes digital artworks and creative tools that marry the visual language of comics with motion graphics and musical performance. He founded the interactive label Opertoon in 2008 to explore this territory, releasing the interracial love story Ruben & Lullaby, the touchscreen meditation Strange Rain, and the digital graphic novel Upgrade Soul, which have garnered critical acclaim and over half a million downloads. Through Opertoon, Loyer has also originated a pair of creative tools—Panoply for digital comics, and Stepworks for electronic literature—which have been utilized in classrooms and workshops across the United States and Europe, as well as in commercial releases. He is active in the digital humanities as Creative Director of the popular scholarly publishing tool Scalar, and as the designer and developer of over a dozen interactive non-fiction works in collaboration with leading scholars, artists, and organizations including the Martin Luther King, Jr. Research and Education Institute. Loyer is also co-founder and Chief Experience Officer of TunesMap, a media startup that delivers cultural context around streaming music. A two-time Webby Awards Official Honoree, his work has been exhibited in the Americas and Europe, included in the Electronic Literature Collection, Volume 2, and he has been commissioned by the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, and the San Francisco Museum of Modern Art.

The ELO Board of Directors is a hardworking group of volunteers.  For a full list of members see our People page.

ELC 4: Call for Submissions

Call for Submissions

Electronic Literature Collection Volume 4
Accepting submissions: 17 December 2019 – 15 March 2020
pdf version

The Electronic Literature Organization (ELO) seeks submissions for Volume 4 of the Electronic Literature Collection.

From Twine games to “physical” literature, remixes to hypertext, kinetic poetry to ARGs and Twitter bots, all types of digital literary submissions are welcome. Electronic literature (or e-lit) thrives at the intersection of digital media and textuality. The ELO offers a broad definition of e-lit as “works with important literary aspects that take advantage of the capabilities and contexts provided by the stand-alone or networked computer” (https://eliterature.org/pad/elp.html). Examples of the range of writing previously collected in Volumes 1, 2 and 3 are available at http://collection.eliterature.org.

Please visit the ELC4 site for instructions on how to submit.

ELO Welcomes New Board Member Anna Nacher

We are pleased to welcome our newest member of the ELO Board of Directors, Anna Nacher.  Newcomers to ELO 2019 in Cork were welcomed by Anna’s tweets, but Anna is no newcomer to ELO or electronic literature.  Her contributions to the field extend into the areas of locative media imagery and virtual reality.  She most recently enjoyed a tour as Fulbright Scholar-in-Residence in Creative Digital Media at Winona State University.

The ELO Board is entirely made up of volunteers who serve for renewable 3-year terms. For more information on Board Members, see our people page.

Below is Anna’s bio:

Anna Nacher – an associate professor at the Institute of Audiovisual Arts, Jagiellonian University, Kraków, Poland; Vice Editor-in-Chief for Arts & Cultural Studies Review (Przegląd Kulturoznawczy); and the 2019 Fulbright Scholar-in-Residence in Creative Digital Media program at Winona State University (USA).

Her research interests include media art, electronic literature, media theory and environmental humanities. She is currently pursuing a 3-year long research project on the post-digital imagery grant from Polish National Science Centre (entitled, “The aesthetics of post-digital imagery: between new materialism and object-oriented philosophy,” ). The author of three books in Polish; the newest one published in 2016 focuses on a locative media imagery. A reworked version of one chapter has appeared as “Internet of things and automation of imaging: beyond representationalism” in communication+1, vol. 5 (2016). She has published numerous articles in journals and chapters in edited volumes including Hyperrhiz, Electronic Book Review, communication+1. The most recent publication: VR – the culture of (non)participation? “Reframing the participative edge of virtual reality” in Cultures of participation: Arts, Digital Media and Cultural Institutions: Eriksson B., Stage C., Valtysson B. (eds.)  (Routledge 2019).

She is also a part-time musician and a passionate gardener in a tiny permaculture farm located in Slovakian Carpathians.

Announcing “Teaching Electronic Literature,” A Resource for Teachers

ELO is pleased to announce a collaboration with N. Katherine Hayles on “Teaching Electronic Literature,” a resource for teachers featuring useful links to curated collections of works, selected scholarly resources, and sample syllabi and course materials from leading scholars and teachers in the field. The website is a companion to Dr. Hayles’ MLA presentation “Why Teach Electronic Literature” at 3:30 on January 11, 2020.

With this project, Dr. Hayles shares knowledge and experience accumulated since becoming active in the field of electronic literature in 1995, when she directed the first of three NEH Summer Seminars on the topic. Since then, she has remained a leading voice in the study of electronic literature, producing the first systematic survey of the field, Electronic Literature: New Horizons for the Literary. In addition, Dr. Hayles has served as ELO’s President and is the namesake of our annual award for scholarship on digital literature. Her goal in creating “Teaching Electronic Literature” is to make the transition into electronic literature easier for anyone who wants to teach these works.

Assisting in the creation and maintenance of the website is Ryan House, currently a doctoral student in Media, Film, and Digital Studies at the University of Wisconsin Milwaukee. Ryan has been a member of ELO since 2016. If you would like to contribute to this resource, please contact him at rnhouse@uwm.edu.

Please share widely!